When Dizzy arrived on the ZX Spectrum and Amstrad in 1987, there was no absolutely no reason not to buy it! The screenshots looked great, it was reviewing well, it was by the incredible BMX (and other) Simulator people Codemasters, and it only cost £1.99! The little egg felt great to control too, with his unique somersault jump a joy as you made your way around his puzzle-platform adventure. Before long though, the novelty wore off for me, and it became the founding member of an exclusive little club that would later also welcome Silent Hill and the first two Resident Evils, that it would take me decades to actually get, then finally really, really appreciate! Of course, on the surface you may wonder what this cartoon egg on the Spectrum has with these heavyweights of original PlayStation survival horror, but the secret to success in all of them is finding stuff and doing something with it; you won’t get far just jumping about or shooting dead things in the face. And for for me at any point up to my mid-forties, the latter is where I found most of my enjoyment in games!
Several decades later, this left me with all kinds of catching up to do (now mostly done!), and there we were at the end of 2020 when no fewer than two new official Dizzy games appeared! A very quick note on the first, a new version of 1989’s Pac-a-like, Fast Food Dizzy, which at that time was the third Dizzy game, but was actually called Fast Food rather than Fast Food Dizzy! Anyway, the new one is definitely called Fast Food Dizzy, and was released on the Nintendo Switch to showcase the FUZE games coding tool, where it’s not only free but the code is also fully editable. And if that’s not your bag, you can also buy it as part of the FUZE Player, which comes at a crazy price that makes the original Dizzy look expensive, together with no less than nineteen other FUZE-developed games and more to download for free! It plays like a very good Pac-Man clone with a few ideas of its own across its ten levels, it’s very polished, and is a lot of fun too!
A month later, a few days before Christmas, the second new Dizzy game arrived – Wonderful Dizzy. Now, this one’s been hanging around for a while and I think was originally supposed to be released as a Kickstarter stretch goal for the Spectrum Next in 2018, but that ended up being the collaborative effort and also wonderful Crystal Kingdom Dizzy. Wonderful Dizzy never went away though, and finishing it became a labour of love for original Dizzy developers (and gaming legends) The Oliver Twins, who not only eventually went on to fully design it themselves then get it made by their Crystal Kingdom friends, but also decided to give it away free on their website, where you can either download the 128K Spectrum file and play it one way or another, or just take option two and play it right there in your browser!
Wonderful Dizzy is based on The Wonderful Wizard of Oz, the children’s book by L Frank Baum that was interpreted as a reasonable movie if you’re under ten years old called The Wizard of Oz in 1939, then various other dreadful things since. And having said that, I look forward to the wrath of Johnny Depp’s Twitter defence league – I kid you not, go on there and post something derogatory about his even more dreadful Sweeney Todd and see what happens!!! Anyway, in Wonderful Dizzy, you’re the kind of Dorothy but in egg form, and as a fierce wind approaches, you and your pet Fluffle, Pogie, take cover in your house, but that gets torn out of the ground, chucked around in the wind then lands on the Wicked Witch of the East, one of four witches that rule the magical land of Oz where you’ve ended up. The West one isn’t happy and runs off with Pogie, so you need to rescue it and find a way home. The Wonderful Wizard of Oz can probably help with that, and you’re going to be platforming and puzzling your way around Oz and his Emerald City, coming across familiar scarecrows, lions and tin men on the way – all in egg-form, of course!
This translates to classic Dizzy – discovering the map, finding clues, finding the items that relate to those clues, and gradually unravelling the story through all the other characters you meet. Even for someone like me that used to shun the merest hint of a puzzle, none of these are especially taxing – think Resident Evil 3 more than Monkey Island! The biggest puzzle is probably remembering where you might have seen something that you’ve just been told about, or then working out how to juggle your three-item inventory, meaning leaving stuff you’ve found already all over the place and remembering that too! As well as finding and using the items that progress the story, you’re going to be collecting coins too, and these are going to become important… So important that later on, you might spend nearly as long finding the one you’ve missed as playing through the rest of the game!!!
Unlike some (or maybe all?) of the earlier Dizzy games, the map is three-dimensional, so you’re not only going left and right, but into and out of the screen too. From your starting point in Munchkin Village, you’ve got the Red Brick Road to the left that’s going to lead to five – about half – of the areas in the game, then its better known Yellow sibling leads to the rest in the other direction. Actually, your very first puzzles are going to be finding stuff around Munchkin Village and using them to open the gates to the two roads. As well as Emerald City, you’re going to be exploring various castles and palaces, woods and fields, caves and harbours and various other buildings and structures. These are all multi-screen affairs, with a surprising amount of verticality in a lot of them too that is going to test your platforming skills. Dizzy himself controls better than ever, and for all that extended somersaulting animation every time you jump, you’re going to feel a surprising amount of precision to everything. Screw up a jump and fall too far and you’ll eventually end up a bit Humpty Dumpty though! There’s also a few enemies out to do you damage too, but you’ve got three lives, and fruit to replenish your health is relatively abundant (until you’re near the end and you’ve used it all up); it’s all just about the right level of challenge.
Speaking of better than ever, I can’t not talk about how Wonderful Dizzy looks for any longer! Off the top of my head, if we’re talking best-looking games on the Spectrum, you’ve got Trap Door, Exolon, R-Type, maybe Head Over Heels, definitely either of the first two screens in Olli & Lissa: The Ghost of Shilmoore Castle… And now we have to add Wonderful Dizzy to that list – it really is that good, to the point that when I first saw it, I assumed it was actually a Spectrum Next game, but no, it’s proper unsullied 128K Spectrum. It even embraces the colour clash, which is one of many knowing nods to old-school gaming you’ll come across! The amount of detail in every aspect of every screen is incredible, as is the way Dizzy moves around the world – not only in his animation, but also the way he physically belongs in it, and I really don’t want to be specific here because these deserve to be noticed fresh!
Sound effects are typically functional for the Spectrum, but I like the way they’re sparsely used, usually alerting you to something. There’s also a nice subtle sound when you jump, which I like a lot more than the continuous classic Spectrum footsteps you got in the original game! The looping music sounds great without being anything groundbreaking – it’s not massively memorable, but equally isn’t going to annoy you for the duration.
That duration for me was about four hours, including about thirty minutes looking for the final coin, as well as thirty minutes or so having a go and working it out when I downloaded it. I reckon if you went back and did it again (or aren’t as rubbish at games as me), you could at least half that once you know the lay of the land. And I enjoyed every minute of that, done in two sessions during a single day. It really is a joy to play, and even if you’re like my former-self and not massively into Dizzy or this style of game or survival horror, if you’ve ever played on a Spectrum you just need to have a go and see it in action! And at free of charge, there’s even less reason to not see it in action than its ancestor all those years ago!
You can play or download Wonderful Dizzy right here.
You often see the NES Friday the 13th game referenced in rubbish game lists, but the C64 and Spectrum versions never get a look in and I wanted to find out why!
There’s another “why” I want to look at before we answer that though… As a decades-long massive fan of both systems and the films, why am I playing these games for the first time in 2020?
Friday the 13th came to Commodore 64, ZX Spectrum and Amstrad CPC in 1985, courtesy of Domark. I very much remember seeing it advertised because I cut the advert out and put it on my bedroom wall! I also very much remember the Computer & Video Games magazine review; it went along the lines of once you were past the gore of said shock advertising, the game was average, but the black and white screenshot they used was enough to put me right off. It looks like some kind of dreadful prototype of The Sims, not Hollywood’s greatest slasher!
Friday the 13th was long forgotten by the time I had a machine that could play it, and it was even longer before I saw my first Friday the 13th movie. I think I saw The Omen and The Entity in my early-ish teens thanks to the Wild West days of video rental shops, but the slasher movie passed me by until the very late eighties. I’d eventually make up for lost time though, and Jason Vorhees remains this 3000+ horror movie collector and general nerd’s favourite genre icon!
As many times as I’ve now seen every movie, the game remained absolutely forgotten for decades, and it took one of the aforementioned crappy NES game videos to start me digging again! I think it was a simple C64 walkthrough being recommended, but I didn’t even click it – I just made a note to look up the Spectrum version at some point.
As well as the advert, the box did its very best to lure in curious. And I’m not just taking about that immediate red-flag to me of C64 screens being used on a (relatively speaking big-budget) Spectrum inlay! There was a stark warning that before you play the game, close all doors, windows and curtains – yes, curtains have always been Jason’s kryptonite! Then you have to turn out the lights, but can use a candle if necessary – possibly down to some of the garish colours on the Spectrum version burning your eyes through some kind of light overload. Then you have to make sure granny isn’t in the room – I expect she slipped the tenner into your hand that paid for the game and you don’t want her to know you wasted it on this crap! Then turn up the volume to the max! Now, of all these tips, don’t do that. I’d there’s one thing worse than the graphics, it’s the sound, whether the horrendous (not in a good way) scream sound as one of your mates dies somewhere on the Spectrum, or the dreadful context-sensitive nursery rhymes on C64! Speaking of sound, the box also includes a competition to win a monitor if you can identify ten of the noises you heard while on holiday in Crystal Lake. Good luck identifying more than one of them!
To Domark’s credit, they clearly knew they’d spent a load of money on the license but had a stinker on their hands, and they did their best to fix that by chucking a load more money at all kinds of provocative marketing. The game pitch is pretty decent on the surface too… Jason is hiding out in the forest in his “filthy grotto” waiting to avenge his mother’s death when a bunch of teenagers turn up to party at nearby “eerie” (that’s what several massacres will do – if only they’d had Domark’s marketing people) holiday camp. He dons his hockey mask, sharpens his machete and gets ready for a “razor-edged massacre” (nice)!
From there, I’m slightly at odds with how the box then describes the gameplay loop… “You must warn everyone that the mad murderer is on the rampage and lead them all to safety – without, of course, losing your head!” The reality is that you’re going to wander around a few screens that include a farm, some archery targets, a church and lots of gravestones and lots of trees looking for a weapon then hitting everyone in sight with it trying to work out which one is Jason so you can keep hitting him until he’s dead. And while you’re doing that, Jason is wandering around killing everyone. If you die or they all die (indicated by their avatar at the bottom, of the screen turning into a gravestone) then it’s game over.
Here we need to talk specifics about each version because they go about things – by design or not – in slightly different ways. On C64, Jason is disguised as one of your fellow campers. As you walk around the various locations, you might notice someone acting a bit suspicious, whether they’re following someone else or simply just in the act of murdering them or you. Assuming you’ve found a weapon, this is your cue to hit him, and assuming you’ve found Jason, he’ll turns from a camper into a guy in a black outfit.
And that’s about all there is to it. If you’re lucky, you’ll work it out in a few minutes, but in the game I eventually beat Jason, I was walking around forever, exploring the same places over and over again but never finding him. And once you’re down to a couple of your friends left alive, the frequency of death has all but dried up and there’s really not very much happening. You just walk about, with only minor tension that all this walking about for ages is potentially about to end in time running out because everyone else is dead.
Kill the man Vorhees and you get a game over screen telling you he’s dead, but for how long? Well, having then played the Spectrum version to completion too, there’s an easy answer to that…
There’s not a lot to the C64 version, but it has a degree of 1985 charm to it. The Spectrum version doesn’t only have no charm (which even the bizarre use of magenta on the brick walls can’t fix), but it’s a buggy stinker! Eventually you’ll work out that rather than potentially being disguised as one of your friends in this version, Jason is the guy that looks the same as you. If you get confused which is which, don’t worry, he’s the one who can walk through stuff like trees and haystacks. Get close and he’ll batter you, no escape – he’s got some very sticky pixels and that’s all your hard work wandering about these ultra-uninteresting landscapes wasted! Naturally, as you might think, he can also attack you from any direction. You, on the other hand, can only attack if you’re on his left because no matter which way you’re heading, your weapon only comes out to play on the right!
When you do get on his left, there’s absolutely no feedback that you’re actually connecting with him. Your score (which is irrelevant anyway) doesn’t even change like the C64 version. You just keep maybe hitting him and nothing happens – which, thinking about it, is how a fight with Jason Vorhees probably should turn out, but it doesn’t make for a great game! Anyway, after far more experimenting than the game deserves, I worked out that the axe will damage him even if you don’t know its working until he’s dead. The chainsaw might offer the glamour, but leave it; spear things, pitchforks, knives and other things you can chuck at him seem to do nothing. That’s all assuming you can actually pick the weapon up because it’s quite often somewhere like a top corner and the screen has flipped before you can get close enough to trigger picking it up.
And while your either on the hunt for Jason, or more likely running away, you’re also going to get stuck on scenery all the time, which is the exact opposite to Jason who can walk into fences and simply vanish into thin air. And quite often you’ll be trying to traverse what appears to be thin air between screens but you’ll get stuck on something that isn’t there regardless.
Spectrum Friday the 13th is just about without merit, but I’d definitely recommend a go on the Commodore version if you’re a fan of the films. It’s a very C64-looking game circa 1985, which I always find somehow comfortable, but like so many other licenses of the time, is just bland once you get past the fancy box art. And that kind of answers my original question about why these versions never get a mention nowadays too, but in the case of these systems there were so many greater crimes against licenses – Highlander is always a good place to start there – and there were so many worse games spanning well over a decade of their lifetimes… Sadly, Friday the 13th is just very forgettable.
How about a self-indulgent review of games I’ve played and completed in 2020? I know no-one else cares, but it’s kind of like a diary, and I’ve already written it, and I’ve got nowhere else to stick it!
January 3 January: Untitled Goose Game (Xbox) 13 January: Punch-Out! (NES on Switch) 16 January: Spyro the Dragon (PS4) 19 January: Mega Man X (SNES Classic Mini) 26 January: The Ninja Saviors (Switch) 31 January: Super Mario World 2: Yoshi’s Island (SNES on Switch)
Ninja Saviors the undoubted highlight for January. Goose Game didn’t blow me away like it seems to have done everyone else, but that’s the first game I ever finished on an Xbox! Also nice to finish Spyro on the collection I got for Christmas after starting it all those years ago, as well as some other old classics I hadn’t played before (but am now seeing in my sleep, Punch-Out!). And now I’m torn between what’s my favourite Mega Man. I reckon it’s still 2 but X was a corker!
February 3 February: Bulletstorm (PS4) 5 February: Koral (Switch) 7 February: Super Mario Bros. 3 (NES on Switch) 9 February: Super Mario Bros. (NES on Switch) 10 February: Super Cycle (C64 Mini) 16 February: Bioshock (PS4) 18 February: Castlevania – Circle of the Moon (Game Boy Advance) 19 February: Bloodstained – Ritual of the Night (Xbox One) 25 February: Teenage Mutant Ninja Turtles (Game Boy Advance) 27 February: Ninja Gaiden Shadow (Game Boy) 29 February: Ghostbusters (C64 Mini)
Always glad to get value out of PS+, and very much did this month with Bulletstorm and Bioshock. Same for Game Pass and Bloodstained (though my excessive play of Demon’s Tilt on there makes that a given). For medical reasons, my handhelds got plenty of love this month with Castlevania: Circle of the Moon being a particular highlight, though finally finishing the original Mario Bros was pretty cool too. And as I like to every now and again, I reminded myself why Ghostbusters on C64 is in my top 30 favourite games ever – a practice game to remind myself how it goes (which I actually did on the Spectrum this time), then straight through as usual. Timeless!
March 4 March: Destruction Derby 2 (PlayStation Classic) 14 March: Doom 3 (Switch) 18 March: Anodyne (Switch) 30 March: Agent X (ZX Spectrum) 31 March: Agent X II (ZX Spectrum)
50 hours on Animal Crossing over two weeks after release is quite apparent in this month’s list! Loved the chance to win everything in Destruction Derby 2 again, and Doom 3 became probably my favourite shooter ever! For the purposes of Retro Arcadia postings, I finished the wonderful Agent X for the hundredth time, and its less wonderful sequel on the Spectrum for the first time.
April 4 April: Death Star Interceptor (ZX Spectrum) 11 April: Doom 64 (Switch) 13 April: Doom (Switch) 26 April: Doom II (Switch) 27 April: Kid Dracula (Game Boy) 30 April: Saboteur 2 – Avenging Angel (Switch)
Caught up on a load more classic Dooms on Switch last month. As much as I enjoyed them, I’m a bit done with Doom for now! Also caught up with Death Star Interceptor, an even older game I first came across in 1985! I’d also forgotten I was right near the end of Game Boy Kid Dracula a few months ago when I abandoned it for some reason, so got that done too. Same for Saboteur 2 on Switch. Started at Christmas, got sidetracked (by Ninja Saviors) and forgot I had it, but will never forget that map from playing it on the Spectrum years ago!
May 3 May: TimeSplitters (PS2) 5 May: TimeSplitters 2 (PS2) 6 May: Streets of Rage 4 (Switch) 7 May: Moley Christmas (ZX Spectrum) 14 May: Streets of Rage 2 (Mega Drive Mini) 18 May: Daley Thompson’s Decathlon (ZX Spectrum) 26 May: Alone in the Dark: The New Nightmare (Game Boy Colour) 31 May: Star Wars Jedi: Fallen Order (PS4)
May began with the delivery of a replacement PS2, and meant I could finally finish the two TimeSplitters games I’d had a hankering to play for a while. And I’m still playing regularly to improve times on the original too! Streets of Rage 4 made a claim for the top of my game of the year list so far, but otherwise it was going back to some old favourites. Oh yeah, nearly forgot the latest Star Wars game too, which is indicative of how memorable I found it!
Thought the Japanese version of Super Castlevania IV might make a nice change for my annual play-through, but turned out wonderfully similar to what I know and love! Otherwise my MacBook got some unusual love with the fantastic Itch.io’s Bundle for Racial Justice and Equality, which also included a fantastic all-new NES game Wampus. And an underwater sci-if exploration game called In Other Waters made a hell of a shout for game of the year!
July 12 July: Manic Miner 2020 – Special Edition (ZX Spectrum) 13 July: Super Mario Bros. COVID-19 Edition (ZX Spectrum) 13 July: Monument Valley 2 (iPad) 18 July: Erica (PS4) 19 July: The Room 2 (iPad) 20 July: Silent Hill (PlayStation Classic) 28 July: Ghostbusters The Video Game Remastered (PS4)
New Spectrum games always welcome, especially those involving Miner Willy! Always nice to see a Mario invasion on there too! I’ve had Monument Valley 2 taking up space on my iPad for years and it turns out that work of art didn’t deserve to be kept waiting, but that’s a far lesser crime than how long I left Silent Hill hanging around… Just amazing, and how on earth did I ignore that series for so long?
August 8 August: Call of Duty – Modern Warfare 2 (PS4) 14 August: Carrion (Xbox) 24 August: Winter Games (ZX Spectrum) 25 August: Winter Games (C64 Mini) 27 August: Star Wars Episode 1 Racer (Switch)
Animal Crossing still in evidence while I was on holiday (from work at least) this month, though it marked the end of being about done with anything major on there I think. Lots of arcade stuff like P-47 and Sunset Riders this month that might have an ending but I’ll never see them, but Carrion was a definite, very unique highlight that I did finish. And always an absolute pleasure to spend time with Winter Games… Even in the height of summer!
September 3 September: Silent Hill 2 (PS2) 5 September: Super Mario All Stars – Super Mario Bros. (SNES on Switch) 8 September: Donkey Kong Country (SNES on Switch) 13 September: Bayonetta (PS4) 20 September: Duke Nukem 3D – 20th Anniversary World Tour (Switch) 26 September: Vanquish (PS4)
Some serious catching up done in September. Highlight was Silent Hill 2. First time playing (but already not the last), and I can safely say it’s one of my favourite games ever! Elsewhere some real big hitters I’ve somehow never managed to play before – horizons becoming truly broadened in my old (middle) age!
October 3 October: Super Mario 3D Land (3DS) 9 October: Bloodstained – Curse of the Moon 2 (Switch) 17 October: Powerdrift (Arcade on 3DS) 20 October: Out Run (Game Gear) 25 October: Road Rash Jailbreak (Game Boy Advance) 27 October: The Ninja Kids (Arcade on PS2) 28 October: Star Wars Squadrons (PS4) 31 October: Out Run (3DS)
I seem to have had a thing for handheld racers this month! With that and Mario 3D Land, my 3DS had more play in the last month than ever before. Highlight of the month was Bloodstained 2 though. Very nearly as good as any proper old-school Castlevania, and definite game of the year contender, closely followed by Star Wars Squadrons, which is just so much nerd fun, win or (mostly) lose.
November 8 November: Super Mario Sunshine (GameCube) 8 November: The Chaos Engine (SNES) 19 November: Secret of Mana (SNES Classic Mini) 23 November: Friday the 13th (C64 Mini) 24 November: Splatterhouse (PC-Engine Mini) 25 November: Friday the 13th (ZX Spectrum) 26 November: Rupert and the Ice Castle (ZX Spectrum)
Mario Sunshine tops the list this month. Now I can allow myself to play the new 3D All Stars version that’s not only still sealed, but in the envelope it came in on launch day months ago! Enjoyed Secret of Mana far more than expected and Splatterhouse as much as I hoped. Chaos Engine was fun if a bit repetitive, but it’s always nice to finish a game within 30 years of buying it! Otherwise, some crap and not so crap 8-bit stuff for Retro Arcadia!
December 1 December: Splatterhouse – Wanpaku Graffiti (NES) 1 December: Jungle Hunt (Atari 2600) 2 December: Fantasy Zone II W (3DS) 4 December: Splatterhouse (Arcade on Switch) 13 December: Animal Crossing New Horizons (Switch)
A flurry of Splatterhouse and other retro activity at the start of the month! Having finally completed Fantasy Zone II W, I did also finally settle a long-standing internal debate about which game in that wonderful series is my favourite (and it’s this one)! At 510 hours and getting my final fish – which completes everything you can complete in the game – I’m calling Animal Crossing, but I’m still playing! Not sure where the rest of the month went – I was at least supposed to finish Residemt Evil 4 on GameCube, but it will be a nice start to 2021!
My annual list here is supposed to be screaming next-gen this year, but after much deliberation that helped me make up my mind I wanted an Xbox over PS5, it also made me realise I wanted Game Pass and not a new machine. Enter my 13-year old son wanting to replace his Xbox One with a fancy new gaming PC for Christmas, as well as no actual next-gen games for Series X yet anyway, and here we are! Still pains me not having a launch-day PlayStation for the first time in its history though…
As much as my game of the year for 2020 did affect and continues to affect me – and has made the very unusual leap for anything new into my top 25 games of all time – it’s not the best! Or even second best! It took me a while, but finally properly playing Silent Hill this summer led me immediately to Silent Hill 2 on PS2. Then several times more! Wow, what a game. I wrote loads of words about it here so won’t dwell. Then I got to the last game in the Resident Evil series I’d never played, Resident Evil 4 on GameCube. Given its reputation I’m not sure why it took me so long to get to that either, but I got to the point where I wasn’t playing it to avoid finishing it! Absolute masterpiece!
But let’s now turn our attention to the masterpieces of 2020…
1. In Other Waters (Switch) A very long time ago, a game called Submarine Commander on the Commodore VIC-20 was busy becoming one of my favourite games ever; it offered a claustrophobic and tense underwater experience that still holds up today. The first time I saw In Other Waters, I immediately knew it was going to do the same, with its beautifully refined and descriptive – but not dissimilar – user interface that almost immediately becomes second nature, and completely drives the wonderful story, as well as your imagination. Intuitive, engaging, nerve wracking and, despite it’s visual simplicity, I found it stunningly atmospheric. Just like some of those great old VIC-20 games!
2. Bloodstained: Curse of the Moon 2 (Switch) I was massively excited when Bloodstained 2 was announced, then decided to voice my opinion on it costing more on Switch (my preferred platform so I could play on TV and handheld) than PS4 by not buying it on any platform for months… The protest finally ended with a Switch sale, and it was worth the wait. It may even have been worth the original price! The gameplay is so tight, it looks and sounds glorious, and it’s up there with the best of Castlevania! It’s comfortable and familiar – to the point you know exactly which walls are going to be holding secrets before you hit them – but brings its own identity with the ingenious character swapping, and offers loads to keep playing past the first credits for, especially something you really won’t see coming! Awesome.
3. Streets of Rage 4 (Switch) Completely faithful to the series from what I’ve played, but also completely modern feeling and looking, and a fantastic beat ‘em up in its own right. So many things I love… some of the chaotic mass brawls that feel just like a Bruce Lee movie; finding the secret retro areas (and some old friends); just how 80’s the brilliantly styled (and massive variety of) hand-drawn art all looks; and, of course, the soundtrack isn’t bad either! Not much can top the massively concentrated fun on offer here, and with everything else on offer on top of the story mode, we definitely have a keeper to come back to for many years to come!
4. Star Wars: Squadrons (PS4) No game is ever likely to come close to the thrill of sitting down in that jaw-dropping Star Wars arcade cabinet for the first time at a funfair in Bedford almost forty years ago, but this wasn’t far off! The story offers non-stop spectacular sprawling set pieces across fifteen missions, and it’s non-stop nerdgasm the whole way through. There’s multiplayer all-sorts if that’s your bag too. If you ever wanted to fly something out of Star Wars, this is as good as it gets.
5. Animal Crossing – New Horizons (Switch) I very rarely buy a game day one, but I knew that with Animal Crossing I’d be getting incredible enjoyment and incredible value from whatever the asking price. I also rarely ever play a game for over 50 hours, but I’d done that in two weeks and we’re now well over 500, and whilst I might have bought it physically so I could sell it on at the usual Nintendo tiny loss price, there’s still not much chance of that yet! It’s the ultimate in gaming escapism, it makes the mundane as addictive as crack, and on the Switch it looks and sounds and plays incredible. A timeless formula that couldn’t have been timed better.
6. Super Mario Bros Game & Watch Snoopy Tennis Game & Watch was just about my first gaming love, and almost four decades later this wonderfully and accurately recreated piece of tech (and packaging!) celebrates not only that age of wonder, but also 35 years of Super Mario Bros, which remains more than perfectly playable, and perfectly suited to this pocket platform. The sequel, the of original Game & Watch game Ball, the Easter eggs, and, of course, the unique digital alarm clock combine to make this an absolutely priceless piece of nostalgia.
7. Carrion (Xbox One) You play the bad guy and this game makes sure you know it! This is how a Predator (and maybe other types of predator) feels, with every decaying Lovecraftian tooth and eyeball and tentacle feeling like a flawless extension of your fingers on the controller as you effortlessly glide around then tear your prey apart. The horrific semi-pixel art Metroidvania-styled design is perfectly complemented by the incredible sound design, which is made all the more disturbing when you realise the sound has all gone! A beautiful, terrible thing.
8. Manic Miner 2020 – Special Edition (ZX Spectrum) Can you believe that in the year of our lord 2020AD, we have no less than three new Miner Willy games (that I’m aware of at least) out on the ZX Spectrum? I’ve not played Manic Panic, but I have played a lot of a four decades late to the party port of my favourite VIC-20 game, The Perils of Willy, and whilst it fully deserves to be here too, it’s harder to justify as new even if it is a joy to play! This one was at least a new take, dedicated to all essential workers keeping things moving in lockdown, and is actually a cut-down riff on the original, featuring what you know and love, but in mirrored caverns. As you’d expect, it’s hard as nails, but the smile will never leave your face! Platforming perfection. Always.
9. Wallachia – Reign of Dracula (Switch) A loving homage to Castlevania that plays like Contra, complete with zero concession to anyone that isn’t prepared to play hard and old-school! But like Contra, with practice you realise it’s fair, and you will improve to the point that it’s beatable over time. And like Castlevania, it oozes gothic atmosphere, with darkly stylish visuals and a whopping soundtrack.
10. Hotshot Racing (Xbox One) Brilliantly retro-stylised and very slick arcade racer that controls like a dream once you get it, and has such a sense of speed! There’s elements of Out Run, Daytona 360, Virtua Racer and Sega Rally all present and correct, and whilst it’s unlikely that anything is ever going to reach any of those heady heights again, if you’re a fan then this loving, living tribute is going to appeal.
Here’s some more pure self-indulgence just because I can’t resist a list, so feel free to go and do something less boring instead! My recent examination of Elite versus Perils of Willy (here) – as well as passing the 500 hour mark in Animal Crossing on Switch – got me thinking about what games I’ve put the most time into over the decades. There’s no question about the first two, both running into thousands and thousands of hours: 1. Kick Off on Atari ST 2. Elite on Atari ST
Kick Off is my second favourite game of all time. I can’t imagine the hours I spent either playing against my brothers or in the complex single player leagues and cups I invented where every player had a name long before that kind of thing was a thing. We turned it into far more than a top-down football game, and it extended the life of my Atari ST into the late nineties, way beyond when the first PlayStation should have consigned it into the loft.
Elite is also well within my top ten games ever, and unusually for me, that opinion is not exclusive to me either! Early experiences of the space-trading sim on the BBC astounded then fascinated me, but this version absolutely captivated me. A game that never knew there were limits from the outset, and equally there were no limits to playing it, pretty much forever.
Building out my top ten, I’ve got some other contenders that immediately spring to mind in no particular order yet: – Pro Evolution Soccer 4 on PS2 – Pro Evolution Soccer 2008 on PSP – Destiny on PS4 – No Man’s Sky on PS4 – New Star Soccer on iOS – Animal Crossing New Horizons on Switch – Football Manager on C64 on Pocket PC – Tetris on Game Boy
Thinking out loud, I reckon Pro Evo on PSP then Tetris then Pro Evo on PS2 make up the top five. The only actual point of reference (at 500 hours) is Animal Crossing, and I’m going with that next, followed by Destiny and No Man’s Sky. To round out the top ten we’re going pre-smartphone, emulated Football Manager, and its spiritual descendant (and on actual smartphone) New Star Soccer.
My wife used to go nuts about my PSP always being in my hand every evening, but actually I think it was the fact I only ever played Pro Evo that annoyed her! It was full season after full season on there, even though it was about as predictable as old-school Scottish Premier League, with only a couple of teams ever in the reckoning! Actually, in a strange twist of fate about seven years later, my top goal scorer’s son and my son would become best friends in real life!
I am very familiar with the Tetris Effect. Not the game (for motion sickness reasons), but the phenomenon. I was playing Tetris every waking and non-waking hour like it or not! I loved my Game Boy, and Tetris never stopped being an integral part of its joy, through my sixth form years, university and buying at least three houses!
PS2 Pro Evo was the first to rekindle that Kick Off experience, and now everything looked just like on Match of the Day, and like on PSP later, I didn’t need to keep score for my league and cup fixes. And that Master League was just awesome – no matter how good you got, it always seemed to come down to the wire between you and one or two rivals!
I very rarely buy a game day one, but I knew that with Animal Crossing New Horizons I’d be getting incredible enjoyment and incredible value from whatever the asking price. In under two weeks I’d played more than 50 hours, and we’re now over ten times that. It’s the ultimate in gaming escapism, making the mundane as addictive as crack!
Destiny might have delivered less than it promised in the eyes of many, but not me! The shooting is as good as it’s ever got in any game, but the continuous search for upgrade materials through a continuous search for whatever was going on in that time and place you were in provided exactly the same addictive quality as Animal Crossing; it’s a different type of mundane, but you still can’t stop! Until you move to the country and have terrible internet…
Given what I’ve said about Elite, it’s no surprise that infinite space-trading discovery adventure No Man’s Sky rounds out my top ten, and it’s a game where tinkering eventually killed it for me. I was so happy with this game when it came out – unlike the rest of the world – and the first few major updates added loads to the experience that maybe should have been there previously. But the updates kept coming, and still keep coming to this day. And the one that made my sprawling moon base end up floating in the air and completely inaccessible was the beginning of a sadly quick ending.
Football Manager was one of the first games I played on my friend Paul’s Spectrum, then played it endlessly when I got my own, but it was on that forgotten pre-smartphone gadget the Pocket PC is where I spent the most time on this. It was great for emulating the C64, and this game was great for emulation. And it’s another that used to drive my wife crazy for all the aforementioned reasons!
Moving from football manager to player, New Star Soccer on iOS is one of the most addictive games I’ve ever played, to the point that in the end I knew I had a problem and had to go cold turkey! Unfortunately (or fortunately, for my sanity) it’s now a great example of a premium game destroyed by free-to-play mechanics. As well as excessive tinkering. Again.
I’m mostly happy with my top ten, but there’s also a few wildcards that I’m struggling to quantify versus the others; I just have a hunch that they might also be up there too! – Snoopy Tennis Game & Watch – Alto’s Adventure on iOS – V-Rally 3 on Game Boy Advance – Game Dev Story on iOS
Snoopy Tennis was ubiquitous in my hands in the first half of the eighties until I got my VIC-20. Likewise in the early 2000’s, I was travelling loads and always had V-Rally on the go on my GBA, and have barely taken a break from playing it since. And by 2015 I was travelling insane miles all over the world, and Alto was my plane and hotel time-killer… Until it was almost usurped by its successor in 2018 then along came Sega Ages Out Run on Switch a year later! Game Dev Story on iPhone figures here somewhere too, but in a much more concentrated time period – I went completely nuts on that for a couple of months when it came out; also one of the most addictive games I’ve ever played!
As an aside, I can probably pick out my longest narrative-driven play-throughs without too much thought, and because they weren’t long ago I even know the timings: 1. The Witcher 3 + some DLC on PS4 – 95 hours 2. The Legend of Zelda: Breath of the Wild on Switch – 90 hours 3. The Elder Scrolls V: Skyrim – 80 hours
None of my long games list or my wildcards are much of a surprise to me. Unsurprisingly! But what I’d never thought about before was how many of these are football-related! I know your typical FIFA player is probably out-playing anything on my feeble list here every single year, but I don’t play stuff like that. Apart from the 50% of these games seemingly being stuff like that of sorts!
Wow. This wasn’t supposed to turn into an identity crisis! And let’s not even go to why a 48-year old man is spending 500 hours playing Animal Crossing in under six months… But ignoring all of that, I’m okay with representing on Atari ST with my two big hitters, and Kick Off is still my second favourite game of all time and Elite is still in my top ten, and that’s pretty cool, so let’s just stop there where everything is good with the world!
Ever since I put together my list of favourite sights in all of gaming, a few weeks ago at the time of writing, I’ve been giving more favourite sights in other games a bit of thought, and we’re definitely in a position now where we can add some more to the list and make up a top ten!
You can read about the original top five here, but just to recap…
1. The road opening out in the first stage of arcade Out Run 2. The sunset background in level two of arcade P-47 3. Olli & Lissa: The Ghost of Shilmoore Castle’s second screen on ZX Spectrum 4. The sunset background in level two of PC Engine Victory Run 5. Mega Drive Streets of Rage 2 third stage pirate ship
I struggled a bit to get far beyond a top five previously, but did give a single honourable mention to Super Castlevania IV’s ghost and glitter and gold level, also known as Stage IX, also known as The Treasury, so it’s only fair that we start right there at our new number six favourite sight in all of gaming!
I could probably make up another top ten only using sights from Super Castlevania IV on SNES! And actually, before I came up with Stage IX, my initial thought was climbing the famous Castlevania steps up to the final boss with the moon behind the castle. Absolutely stunning, and in every Castlevania this sight is an indicator that your’ve nearly made it! If I had to choose any game world to live in, it’s this one (or maybe Silent Hill… more later)! I absolutely adore the unique gothic art-style, the sumptuous colours and the sheer imagination. The game has already put you through the ringer by the time you get to Stage IX, but seeing this unique environment compared to everything you’ve been through before is like a reset, refreshing you for the last push! The ghosts that float up all around the screen are harmless but remind you that in Castlevania, all that glitters – and there’s a lot here that does – might not always be gold. What is gold, though, is this little tip – jump on any treasure chest in this level 256 times and you’ll be rewarded with a big meat to boost your health. It’s all just glorious, unique in the game, and you’re welcome!
If I ever do a list about gaming music, that level in Castlevania might figure too (though it might have some competition from Symphony of the Night), but what would definitely figure – and probably right at the top of the list – would be Commando on the Commodore 64. And that’s where we heading now in our favourite sights list too! This is a mid-eighties vertically-scrolling run and gun arcade conversion, where your commando (who is more Rambo than Commando) is shooting up the enemy, chucking grenades and freeing hostages. When it first came out, like many kids on many games of the time, I spent most of my time in the first stage. And that didn’t matter, of course! And at the end of that first stage, you’re clearing out a few last soldiers as you reach a huge set of double-gates. As you get close, they spring open and all hell breaks loose as masses of enemy soldiers rush you all at once. You’d start off getting into a good position to spray them down with bullets from the side, then it was a case of just never stop moving, and should one of the enemies come face-to-face with your rifle, take them out! If you’re lucky you won’t get killed by the last guy left – which seemed to be what happened most times – and you’ll run through the gates into stage two. But if you don’t, no worries, because every time you get there you’ll get that same sense of anticipation and exhileration as those gates swing spring apart and all those guys break through!
Before we move on, I’m going to quickly mention the advert for Commando too. Obviously, the advert for Barbarian was the greatest gaming advert of all time ever, closely followed by its sequel. But, for the purpose of this discussion, let’s pretend there’s no adverts featuring Page Three stunner Maria Whittaker wearing a couple of scraps of metal… As dire as that world might be, the Commando advert – complete with what appears to be a hand-painted screenshot – is definitely one my favourite gaming adverts.
I’m not sure I can write many more words about Silent Hill 2 than I did already here! I think it’s the greatest horror game of all time, which I’d also say about its predecessor if this didn’t exist! The original Silent Hill was probably as famous for its fog as its sequel is for Pyramid Head, but this was mostly there to hide graphical limitations of the original PlayStation; it just happened to create an incredible atmosphere while it did it! The second game, on the PlayStation 2, didn’t have those limitations, but it did have fog… the absolute best fog in any game to this day! At the very start of the game, you notice wisps of fog swirling around you, and then you begin your descent, and then the fog starts to envelope you. And when you’re moving down towards the town and slowly become completely surrounded by this brilliant, multi-greyed, almost living and breathing entity, you suddenly realise that you’re really back in Silent Hill. And that’s a wonderful realisation in a wonderful moment!
In 2020, Star Wars: Squadrons came very close to the thrill of flying an X-Wing, but a long time ago, in a galaxy far, far away, something else came even closer! When you sat down in the sit-down Star Wars arcade cabinet in 1983, you were Luke Skywalker climbing into the cockpit of an X-Wing. And you’d never seen graphics like this before – you were in a 3D colour vector dogfight approaching the Death Star, then you were navigating your way across the surface of the Death Star, and then, in one of the most exhilerating moments you’ll ever come across in the history of gaming, you dropped down into the trench! You’re being shot at from side-mounted cannons and you’re avoiding beams up and down and in the middle, and it all feels wonderfully claustrophobic and so dangerous, until that moment of absolute panic when you need to fire your proton torpedo down the exhaust port. “Great shot kid, that was one in a million” then rings out as the Death Star explodes and you start all over again with the difficulty ramped up. Never before did a few coloured lines spark so much imagination!
We’re closing out our top ten with a game that took the giant leap into filling-in those coloured lines, and not only that, but doing something else you’d never seen the like of in a game before… especially a racing game! I have absolutely no recollection of Hard Drivin’ in any arcade, but it was a huge deal when the conversions hit in 1990, and the undisputed highlight of Christmas that year was the Atari ST version (more on that here)! Even though I’d never played it before, like everyone else that played it, I knew exactly what I was looking out for the very first time I loaded it up. Go up the hill from the start, do a right towards the Stunt course, take the bridge (again and again until you realise the speed limit signs at the side of the road aren’t just there for decoration), one more right, and there it is in all it’s majesty – the legendary loop-the-loop! I still think it’s a technical marvel every time I play it, and I still every time I go around it I still wonder quite how I did it! And there you were thinking I was going to say the cow that moos when you run into it!
As we had an honourable mention in our previous top five, which is now our number six, before I summarise the full top ten I just want to award a replacement honourable mention! I struggled to not include this, but if I had included it, I’d have struggled to decide exactly what I was not going to include, or, indeed, what from this game I would! Before stuff like Halo (RIP) or Uncharted or Tetris or various Marios became system sellers on their respective consoles, a game called Defender of the Crown was exactly that on the Atari ST. I don’t think there was ever a graphical leap between computer or console generations like that one. One minute you’re prodding monochrome ghosts in Scooby Doo on the Spectrum, and the next you’re looking at this jaw-dropping vista with the most realistic medieval castle you’ve ever seen recreated on anything!
I’m also awarding another honourable mention because if the first instalment had one, then surely this one deserves one too? This time we’re talking about the arcade version of Gradius II, known as Vulcan Venture outside of Japan. I’ve dabbled with Gradius and its offshoots (such as Salamander, also known as Life Force) for years, and I’m equally terrible at all of them, but fortunately this sight comes midway through the first level, so even I get to have a gander! This is a 1988 side-scrolling power-up shooter, and you’re quickly dodging these stunning suns that fire-breathing fire serpents occasionally slither out of. Then at one point you’re surrounded by three of these fiery planets and it just looks terrifyingly beautiful. If only I could get past the flaming boss at the end of the level, because who knows what incredible sights lie ahead?
Finally, unless I think of anything else that urgently needs to be included in the next five minutes (like stage one of 3D Fantasy Zone II W, or a mass of ghosts in Gauntlet, or the cemetery in Resident Evil 4, for example), I’m going to further preview what’s potentially already turned into the inevitable top fifteen! It would be be here right now – and in all probability be a lot more than something after the honourable mentions too – except I reckon there’s a better version of it waiting in the arcade game, and that’s the wonderful scene from Stage V of Splatterhouse on PC-Engine with the flying scarecrow pumpkin skeleton thing and it’s bony zombie army. I’ve just never got that far in the arcade game, but there’s a challenge for me one fine day…
In the meantime, let’s just run down our all new top then!
1. The road opening out in the first stage of arcade Out Run 2. The sunset background in level two of arcade P-47 3. Olli & Lissa: The Ghost of Shilmoore Castle’s second screen on ZX Spectrum 4. The sunset background in level two of PC Engine Victory Run 5. Mega Drive Streets of Rage 2 third stage pirate ship 6. Super Castlevania IV ghost and glitter and gold level (Stage IX) 7. Gates opening at the end of C64 Commando first stage 8. When the fog engulfs you at the start of Silent Hill 2 on PS2 9. Dropping into the trench in Star Wars arcade (sit-down) 10. The loop-the-loop in Atari ST Hard Drivin’
As a final aside, when I was playing Star Wars again recently to get some screenshots, I noticed something that I’ve never noticed before in all these years! After you’ve done you’re business in the trench, check out the Death Star just before it explodes… May the Force be with you!
There once was (and still is) an experimental alternative rock band called Butthole Surfers, and their influence can be heard all over the place even if their music isn’t so much, from Nirvana to Marilyn Manson. Back in 1993, I had one of their albums, Independent Worm Saloon, on cassette, until my brother borrowed it to play in his Mini. Unfortunately his Mini got nicked that day and several weeks later was discovered deep in the River Ouse just outside Bedford, and whilst the cassette did eventually find its way back to me after the car was recovered, it had seen better days and would never be played again! Before that, in 1987, Butthole Surfers released the delightfully named Locust Abortion Technician album, and the opening track of that was called Sweat Loaf. It started with a sample of a boy asking his dad what does regret mean? His dad replies, “Well son, a funny thing about regret is that it’s better to regret something you have done than to regret something you haven’t done. And by the way, if you see your mum (mom) this weekend, would you be sure and tell her Satan! Satan! Satan!” And yes, I could have got with the far more well-known early nineties Orbital dancefloor-filler Satan, which sampled the Buttholes, but I don’t have any good stories about Orbital!
Anyway, since then, I’ve always thought that’s a pretty good philosophy. I also like the one about never regretting something (or someone) that made you smile. Of course, all of this is easier said than done, and we often have little control over our cognitive or emotional responses. In most cases there’s also no undo button, although in my case, just £14 for a legit copy of Elite on Atari ST would actually go some way towards undoing what was previously my only standout regret in gaming! That said, I’ll never be able to buy back the time spent that the lady who worked where my grandma was a cleaner and very kindly and very illicitly photocopied the mega manual for me over a period of days so I could answer the security question when the game loads. She did get a box of chocolates for her troubles after my mum found out what had gone on though! Anyway, aside from that, from day one I’ve always felt a bit dirty about what turned into thousands of hours on my number nine favourite game of all time all being done off a copied disk, care of my school-friend Thomas! And despite my little slogans, I have regretted never buying a legit copy – even now, as I write this in full knowledge of the low entry cost!
At the time of writing, the rediscovery and subsequent reinstallation of my Atari ST as a permanent feature in my study has made all those years of regret over Elite a bit redundant though… There’s a bigger crime, you see! Those thousands of hours in Elite make it my second most-played game of all time, but on trying to remember how to fire up an Atari ST (and subsequently ordering new TV cables to make it viewable), I pressed the stiff old disk eject button and came to the terrible realisation that the game I’d played more than any other, including Elite – and also my number two favourite game of all time – was also pirated! Kick Off + Ghouls ‘n Ghosts is what the fading pencilled text on the 3.5″ floppy said. I think it spent so long in my machine during the second half of its very long life, and then its even longer hibernation, that I’d completely blanked it being dodgy. And now my foul deeds are more than doubled and we have a total of even more several thousand hours of gaming that I’ve never paid a penny for; it’s like The Gasman episode of Bottom, where Ritchie and Eddie are siphoning off Mr Rottweiler next-door’s gas and eating his sausages and cakes and pickled eggs and stuff! That all said, this newly discovered heist didn’t involve retrospectively bribing anyone to photocopy manuals, so by my reckoning I can make my greatest crime against gaming 100% right for under a tenner on Ebay, meaning all in we have a life without regret for about £25 should I ever feel the need! And yes, I know the developer will never see that money, but I’ll be spending it all the same!
The next little mystery is where this copy of Kick Off (or Kick Off: Extra Time to be precise) came from. Most of my ill-gotten Atari ST gains were from the aforementioned school-friend Thomas, but neither him nor his cronies would have ever bought a copy of a football game – way too distant from Dungeons & Dragons! Ghouls ‘n Ghosts isn’t giving me much of a clue either, apart from dating it from the end of 1989 onwards! The other stuff written on the disk also isn’t helping much – Disktool (ahem!) then “(Hi Res Emulator)” and “Acize (Norm)” appear to be lost to the mists of time. And it’s all in my handwriting, meaning I probably copied it, though it can only have been from another copy because until I was looking up stuff just now, I don’t think I’d ever laid eyes on the boxes for ST Kick Off or Ghouls ‘n Ghosts. By the way, I’m not going into it here, but that version of Ghouls ‘n Ghosts is superb! You can’t get turned into an old man, and the incredible rain effects in the arcade version are definitely toned down here, but otherwise it’s a great way to run about in your pants chucking daggers at some great-looking undead, as they mercilessly and brutally team you how to play the old-school way!
I’m reaching the conclusion that Ghouls ‘n Ghosts was probably the reason behind this disk, and that might also be the case for whoever I got it from. I was a huge fan of its predecessor, Ghosts ‘n Goblins, on both Spectrum and C64 (see here), but that’s not to say that I didn’t have some pedigree in football games too! I’m not sure the double-bat version of Pong that called itself Football (and also Hockey!) on the Interstate 1160 console (or similar) is ever really considered in the annals of football games, but the dreadful Artic Computing World Cup Football on the Spectrum – which I think is the first proper football game I played, back in 1984 – certainly would be. It was Match Day on the Spectrum that became my first football love though! That also came out in 1984, but it would be a couple of years later that I became surely one of the best players in the world when I had my own Spectrum, and I think I got it on the They Sold a Million 2 compilation. Playing it today, it runs a bit slow to say the least, but it’s an incredible piece of football game history, with ground-breaking proper football features like throw ins, corners and even dribbling, all on a side-on but kind of isometric proper pitch! The player sprites looked like proper players too, even if they were lifted straight out of BurgerTime-inspired platformer Bear Bovver! My next love was the sequel, Match Day II, but in its 128K guise of International Match Day, which added more players, more directions of control, and – for the first time in a football game – deflections and a shot power gauge… Which was a bit dodgy and often resulted in a back heel!
Aside from these (and not counting the wonderful Football Manager – another game in my top few most hours spent in gaming ever titles), I enjoyed player-sim Footballer of the Year, and dabbled with the Emlyn Hughes and MicroProse Soccer games, plus budget stinker Advanced Soccer Simulator, and I think there was a five-a-side budget game too, but nothing ever really topped my affection for Match Day and its sequel on the Spectrum. Around the time I bought my ST, I’m not sure if I wasn’t really in the market for football games, or if there just wasn’t a lot around. I definitely picked up Football Manager 2 early on, with its wonderful realistic 3D match highlights, and I played it to death. And at some point I was given a copy (real, not pirate!) of MicroProse Soccer, but I’ve a feeling that was post- Kick Off, meaning it never got much of a look in. Same with the later Manchester United game – it was really good, and definitely an historic stepping stone between something like Match Day and what we now know as FIFA or PES style, but it wasn’t Kick Off… Even Kick Off 2 wasn’t Kick Off, but we’ll come back to that! Aside from that, and back to the earlier days of having an ST, I remember some Peter Beardsley, Kenny Dalglish and Gazza games making their way to 16-bit, and the Footballer of the Year sequel, but certainly nothing memorable.
Thinking about it, maybe nothing else is memorable when you consider the arrival of Kick Off in the summer of 1989! “Best computer game ever” said Amiga User International. “Probably the best sports game ever” said The Games Machine. And so on. My own beloved Computer & Video Games magazine lauded its realism, if not its graphical thrills, and called it the best ST footie game yet… But as we’ve already discovered, that’s not such high praise, and the 84% it scored also possibly wasn’t the high praise that demanded I rush out and get a copy when there was stuff like Dungeon Master (more here), Defender of the Crown and Ghouls ‘n Ghosts to grab my attention… If not necessarily my cash!
All that said, we’ve now established that I was something of a connoisseur of football games by this point (far more than I could say I am now!), and by whatever means, the second I eventually clicked “2” for Kick Off rather than “1” for Ghouls ‘n Ghosts on the Pompey Pirates’ dodgy disk splash screen, a new chapter in my life in gaming began, and it was one that would span the end of my school years, the whole of my university life, my first job and most of the next-generation PlayStation’s life, right up to buying my first flat and moving in with my then-girlfriend and then wife almost a decade later, when my ST got put in a box for several decades!
Where Match Day and its sequel were ground-breaking in bringing real aspects of football into a video game, as C&VG noted, Kick Off was ground-breaking for bringing realism. And a lot of that realism was down to the ball not sticking to a player’s feet, though Kick Off can’t actually take credit for that. Back in 1985, Nintendo released NES stinker Soccer, which did exactly the same thing, though that would have gone well under the radar of most of my brethren in the UK particularly, where the console never really got much of a look in, and anything that didn’t have a Mario in it certainly didn’t! NES Soccer reminds a bit of Artic’s aforementioned stinker, but is more formless, slower, and moving a defender makes the keeper mirror his movement! Reviewed alright though, with C&VG only scoring it 1% less than Kick Off! It’s also worth mentioning Sensible Soccer here – another dearly beloved 16-bit footballer, and as far as I know is very similar to Kick Off in all but the ball sticking to your foot.
Everything in Kick Off is top down. You’ve got a full size pitch, scrolling in all directions, with everything properly proportioned. There’s a scanner showing player positions, and all the players have their own abilities, based on pace, accuracy, stamina and aggression. I’m not sure if this was a first, but the referees had their own style too, dishing out yellow and red cards, awarding penalties and adding injury time, with all the “accuracy” of a real-life referee! A single button and your joystick were all you needed to dribble, pass, shoot, chip, head and tackle. The goalie did his own thing until he had the ball, which was the cause of all kinds of blaming and shaming when you lost a game! There’s five difficulty levels, from International to Sunday League, and a great feature is being able to test yourself against higher level teams (where you being Sunday League versus International will eventually become the default). Otherwise, it’s a fast-paced, realistic game of football!
Kick Off was always about how it played more than how it looked, and no one was ever blown away by screenshots on adverts! There’s absolutely nothing wrong with it in the looks department though. Despite their size and the angle you’re seeing them from, the players have a lot of character, and there’s just enough detail in the model and its animation to make you feel like you’re in complete control of the ball and the part of the player’s body that it’s in contact with. Otherwise, the pitch does its job with a nice sense of scale and everything moves on it at just the right speed – fast! The game comes alive in the sound department though, with dynamic crowd noise especially creating real atmosphere, bringing to life a stadium that you’ll quickly forget isn’t even there!
I should also mention the Extra Time bit of Kick Off: Extra Time. This was a data disk with four new playing surfaces – wet, soggy, hard and artificial – that affected ball physics and player pace and stamina, plus wind effects, more tactics, more types of goal kicks, more player attributes, more league options and 20 unique referees. What might be called a sequel today! I’m not sure of the exact release date for this, but it must have been very quick after the original game launched.
The main source of joy in Kick Off is the controls, and how they allow you to interact with the ball, which in itself is a joy as it responds to ground and air friction. The manual referred to the controls as “instinctive” and picking it up again now, I can’t think of a better word. Yes, there might be some muscle memory at play, but a beginner could still pick this up and enjoy it. Then, over time, the pioneering nature of Kick Off’s ball not sticking to a player’s foot comes to the fore, with endless possibilities for heading, trapping, spinning and turning, switching feet, passing and shooting and volleying; and not to mention running onto the ball too, or – when you know exactly where each teammate is going to be – letting them run onto a perfectly timed, perfectly delivered pass too. With skill you can put together the most intricate, free-flowing and sometimes outrageous passes, dribbles, crosses and shots, and there’s no doubt that this freedom is behind the compulsion to keep playing. You never know what’s next, just like the real thing! This all works when the opposition are in possession too, allowing for controlled tackling and tactical delaying like never seen before, but yeah, there’s no denying that Kick Off’s wild slide tackles are another joy!
As well as single player, multiplayer and various practice modes, there’s a league competition. I don’t think until I was playing it again a couple of weeks ago at the time of writing that I even realised that this mode was there, let alone trying it out! Which I’m now struggling to find a reason for, except that I was too busy with my own competitions! To spice single player things up, I took Arsenal and England and applied my Kick Off team to their matches. We matched Arsenal’s league, European, FA Cup and League Cup campaigns, as well as every competitive or friendly England match, as well as European Cup and World Cup, all in real time, and all noted down in dozens of pocket notebooks! If they went out of a competition we just carried in with the team that knocked them out, then maybe the team that knocked them out too. Some serious attention to detail and serious work needed to stay on top of it! Eventually we won everything, but not all the time. The FA Cup was a particular hoodoo, and between 1991 and 1996 we never even reached the semi-finals. Eventually, in 1997, everything came right. Real-life winners Chelsea (but Arsenal for these purposes) were playing Middlesbrough in the final. My aforementioned then-girlfriend and now-wife and me were on our first holiday together in Luxor, Egypt while the actual FA Cup Final happened, so I had to delay the Kick Off version by a couple of weeks. It was worth the wait, with a 5-0 win!
On top of years’ worth of mirroring actual football competitions, every player in my team had a name, from David Seaman in goal to Roberto Baggio wherever he fancied playing. Same team regardless of domestic or international – my fantasy game, my rules! And every player was rated at the end of each match, and had their goal tally recorded, and imaginary awards were given at the end of every season! Andy Cole and Ian Wright were generally the top goal scorers, but Marco Van Basten was usually voted best player on the planet. My brother Phil’s team all had names too, and we spent hours and hours and hundreds or thousands of matches playing against each other for bragging rights that lasted until the next final whistle, relentlessly abusing each other’s players (by name), and often resorting to local bedroom football hooliganism when the ref made an outrageous decision or there was a particularly vicious slide tackle that could have put an end to your player of the year!
Kick Off wasn’t just a great game, but it also absolutely nailed a love and understanding of football and all the reasons why people are so passionate about it. It got the tension, the unpredictability and all of the excitement just right, and on top of that it absolutely nailed how it feels to play, win and lose. And in providing everything you needed to make you keep coming back for thousands of hours, there was still enough missing in terms of player names and team licensing (that would later win or lose the football game wars) to make you use your imagination and create your own football fantasies, which prolonged its life even more… Filling in the blanks, just like all the great 8-bit games of any genre had done just a very short time – but also what was also a video gaming lifetime – before. And that’s why its no surprise that Kick Off is the game I’ve played more than any other, and is unlikely to ever be replaced as my second favourite game of all time.
Of course, Amiga User’s “best computer game ever” was always going to get a sequel, but before Kick Off 2 arrived, we had Player Manager in 1990, which used the Kick Off match engine to power a football management sim where you played as a single player in the team. And apparently it was very good! The same year, the sequel proper brought a more tactical game and more tactical player movement, as well as slightly enhanced ball physics. There were complex league and cup competitions, loads of distinctive refs and some kit editing and other stuff. There were a load of expansion disks too. But there was also after-touch, and this ruined the game for me. Apparently you could turn it off, though I didn’t know at the time (and I don’t even have the excuse of no instructions this time having actually bought it)! Anyway, it let you change the direction of the ball in flight, and over time you could just use it all the time to become unstoppable, and that just became frustrating, especially against other human players doing the same thing. I know everyone else loves it, but I was just still so in love with the first game that the after-touch thing is possibly just glossing over that I wasn’t ready for it to be for me!
Also not for me was Super Kick Off on the Gameboy. You could only see a tiny bit of the pitch, and if you weren’t close to any pitch markings you had no idea where you were, and more importantly where anyone else was. The players were just too small and moved too quickly to have any degree of ball control with too. This was a bigger disappointment for me than not clicking with Kick Off 2. Partially because by the time it came out there was a lot less disposable money available to student me, but also because I was desperate to love it – can you imagine carrying your almost favourite game ever around in your hand?
I don’t know much about Kick Off 3, 96, 97, 98, 2002 or the unreleased 2004, except that they didn’t make much of a splash, but I did pick up the 2016 Kick Off Revival on PS4, from original Kick Off mastermind Dino Dini. It was elected second worst game of 2016 on Metacritic, and accused of being the worst football game ever made by Vice. You can pretty much copy and paste my disappointment from the Game Boy version here, except that after decades apart I tried even harder to love it! I even studied the series of post-launch screenshots of spreadsheets that told you how to kick the ball. And I’m not exaggerating – look them up! But they did me no good…
And you know what, having parted with a load of money on three sequels that disappointed me enormously in one way or another, I’m feeling a whole lot better now about that regret thing. And I’m going to send that regret right back to Elite. And Elite photocopy lady!
Back in October 1984, as was usual, I was avidly flicking through a friend’s new issue of Computer & Video Games magazine. A couple of months later I’d be starting an almost decade-long collection of my own, but for now reading it second-hand was just fine because devouring almost every word together was part of the fun!
And I very much remember this issue for one reason – there was a kind of review feature on the Amstrad CPC, which had come out in April that year, and there was screenshot of a ghost in front of a castle that I thought I could program on my Commodore VIC-20, so I duly borrowed the magazine and if I remember right I actually did it, though any evidence is long since gone!
Flicking through it again more recently, exactly 36 years later in fact, just past the CPC ghost castle and the feature review of Avalon on the Spectrum (a game I still can’t get excited about), a couple of reviews jumped right out at me from the very same page. I’m sure that 12-year old me took them in at the very least, and one of them might have even influenced a purchase I’d be making a few months down the line, but I’d certainly have had no concept of the significance of these games to me as a 48-year old with his utterly nerdy but highly curated (and very extensive) list of his favourite games of all time!
The first of those games was Perils of Willy for the VIC-20 (+16K Expanded). You’re Willy of Miner Willy from Manic Miner and Jet Set Willy fame over on the Spectrum, and you’re in for a brutal platformer as you travel home from a boozy night out, collecting musical notes that are hanging in the air and avoiding manic geese and stuff on the way. There’s no doubt it’s still my favourite game on the VIC-20, and overall it sits at seventeen in my all time favourite games list! I’ve written a load on this here, and also on the 2020 Spectrum port here.
What I’ve not written about elsewhere (yet) is the other game that jumped out at me. This one is also a bit special to me and – possibly more-so than Perils of Willy – is a bit special to lots of other people too… Elite for the BBC B computer! I think it was my friend Thomas that had a BBC, and assuming it was I remember watching him play Elite a couple of years later, fascinated by the enormous scale and scope of it all. And it was definitely him that years later copied it for me on the Atari ST, and lent me the 64 page manual that was then illicitly photocopied so I could answer the “first word on page x” security question every time you loaded it up! It is also definitely that wonderful version of the original limitless space-trading adventure that sits at number nine in my favourite games of all time list!
My lovingly curated favourite games list now numbers 200, and as I look at it now I can see the final game on there is Southern Belle on the Spectrum (which I covered here), and now I’m thinking that can’t be right so will no doubt be spending hours poring over it again later! There’s no way I like Tai-Pan at 199 more than Southern Belle. Outrageous! And to give it some context, that’s two hundred out of thousands of games played since the seventies. Super Mario Bros. didn’t make the cut. Ocarina of time is there but doesn’t crack the first hundred. My list isn’t a normal list and it’s certainly not easy to get into!
Which makes those two games, reviewed on a single page in the November 1984 issue of Computer & Video Games magazine, very special to me indeed, but how did they fare with them?
Perils of Willy is alright by C&VG! They’re impressed by faithful transition of the Willy character from the Spectrum, and seem to like the gameplay set-up because it let’s them make willy jokes. They talk about the enemy dogs and balloons, though I think they do underplay quite how nasty these things are. This really is a tough-as-nails old-school platformer, even by 1984 standards; though having just been playing Hunchback on the Spectrum as I write this, it certainly wasn’t the only one! They conclude by saying it’s not as good as Manic Miner or Jet Set Willy (but I don’t see either of them on my list!), but it is one of the best “climbing” games they have seen on the VIC-20. I like how descriptive reviewers used to get before “platforming” became a generic term, which can’t of been much after this?
Anyway, here’s the scores they awarded Perils of Willy: Graphics 7 Sound 8 Value 7 Playability 7
Elite next, and let’s keep in mind, this might be number nine in my list, but has regularly topped proper best game ever lists for decades! I absolutely love how this review starts… “Put simply, Elite is a flight simulation game for people who can’t normally get to grips with flight simulations.” I also love that almost 50% of what in retrospect might be deemed one of the most important games they ever reviewed is dedicated to the manual, the reference card with commands on it and the 48-page novel you also get in the box. They gush over the graphics, and rightly so, as this was some pioneering 3D going on here, right on the BBC B! One of the BBC computer designers, Sophie Wilson, once called Elite “the game that couldn’t have been written” and C&VG also point out its complexity – possibly the most complex game ever produced on any system. Quaintly, they also mention the ability to save the game because “it’s going to take some time to complete the mission.” I’m assuming they hadn’t “completed” it when they wrote the review! Then in a final bizarre twist, they invite readers to submit their high scores to them…
Here’s the scores they awarded Elite: Graphics 10 Sound 5 Value 7 Playability 7
As a quick scores on the doors, Elite wins outright on graphics, Perils of Willy sounds better, they both offer exactly the same amount of value for your pocket money, and they are both equally good to play. Where to begin…
No discussion needed about graphics. Perils of Willy is a 2D climbing game on the VIC-20. Its dogs and geese are among the best looking on the system, and there’s some nice animation going on in the balloons. I’ve also always loved the way certain sections of floor fall away from under you as you walk over them. But they’re not the best graphics on the machine – Jetpac and Skramble spring to mind at definite 8 out of 10’s – but I reckon for the end of 1984 and a bit too much sprite flickering, that 7 is about right. Equally, 10 is about right for Elite! The wireframe 3D models flicker a little, but apart from that just look at it now and everything still moves so smoothly, and that hyperspace jump is still a treat! There’s also loads going on in your cockpit, with the dual radar and no less than fourteen different indicators surrounding it. And 3D like this back in 1984 was just jaw-dropping. Incredible stuff!
Sound is a little more interesting! Elite’s sound is functional and nothing more. There’s not a great deal going on when you’re not shooting stuff and 5 out of 10 might be a point or so on the low side in my view, but is in the right ballpark. Over on Perils of Willy, we’ve got 8 out of 10… And I can only assume that’s for sheer amount of sound rather than quality!!! If I remember correctly, there’s a quite jarring death sound that is perfectly apt, and a beep when you collect a musical note. That’s your sound effects. But on top of those is a non-stop loop of the first 8-9 seconds of a VIC-20 – with its three pulse wave and one white noise generators – rendition of the opening of Led Zeppelin’s Stairway to Heaven. And it will drive you completely nuts! Actually, play it enough and you desensitise, but it really is a piece of work on your ears!
With the benefit of 2020 vision, if I was reviewing these games I’d be giving them both 10 out of 10 for value! As I write I’ve just gone over 500 hours in Animal Crossing, but Elite – together possibly exclusively with Kick Off – would be in the several thousands. Granted that’s the Atari ST version, but I don’t think it would have been much different if I’d owned a BBC back in 1984. No one is playing thousands of hours of any Willy game, but there’s no doubt I got my £5.95’s worth out of it! It was the first and possibly only game I ever left a computer secretly running for days for because, unlike Elite, you couldn’t save it and I wanted to get the most out of my infinite lives poke! But also unlike Elite, I still play Perils of Willy regularly today! Back to C&VG’s scores though, in the eyes of a normal person I reckon Elite is being a little harshly scored here. But I’m also not sure they got what Elite actually was when they were reviewing it – that review really doesn’t stink of greatest game of all time material!
Finally, we have nice subjective playability. I’ve always read that as how good something is to play. And I don’t think you can really compare how good a platformer is to play versus a space-trading sim, but again, I’ve got to veer on the opinion that Elite is being hard done by here – as said just now, 7 out of 10 for anything does not scream best (or even ninth best) game ever! I’m wondering now if the fact that Elite was so ground-breaking had a negative effect on some of these early reviews; that people just didn’t get it, or alternatively couldn’t quite comprehend the vastness and complexity of what they had in their hands because they’d simply never seen anything like it before. It didn’t just define the space-trading with a bit of combat sim genre, but also defined a lot about video game design full stop. As the only reference point for gameplay in any context in this review, the playability score surely has to be as much higher as it can be! Subjectively speaking of course… Oh yeah, while we’re being subjective, 7 out of 10 also stinks for Perils of Willy!
In summary, I actually love that my old VIC-20 favourite Perils of Willy is scoring on par with Elite in my favourite old computer games magazine! But before we say goodnight, let’s quickly see how other games reviewed in the same issue stack up against one (two!) of the greatest games of all time!
As mentioned before, wizardy adventure Avalon on the Spectrum is this month’s marquee game, and apart from graphics it’s beating Elite significantly on every front. As an aside, I remember being really impressed by how this looked on the Commodore 64 when it was reviewed, but the Spectrum version just never did it for me. Maybe I need to pull myself together and give it a proper go now I have a proper yardstick for how good it is! American election sim Election Trail on C64 is next, and whilst they conclude by saying it’s not a game you’d buy for its entertainment value, it’s still out-scoring Elite on playability! As is the Spectrum port of one of my Atari 2600 favourites, Enduro. Falcon Patrol 2 on C64 wins out on everything except graphics, as does Pi in ‘Ere on the Spectrum, which looks a bit like Boulderdash but I can’t say I’ve ever really paid much attention to! The reviews are getting more brief now as we move down the pecking order of C&VG excitement, but Spectrum Piromania, Terrahawks and decent Manic Miner-a-like Frank n Stein, as well as BBC Crawler, are also outperforming Elite on all but graphics. Now a bit more colour on the page again, and Bird Mother and Gumshoe on C64 are trouncing all over Elite and even coming close on graphics with 9 out of 10 each. Same for the full-page (and fully deserved) spread on Pyjamarama, which is in all honesty the first recognisable game for most that we’ve covered here in a while! The Wally (not Willy) games on the Spectrum were always lookers, and that deserves its 9 out of 10 for everything except sound, which only got 8. Next we’ve got Activision classic Zenji on the C64! It’s a maze game that looks like something on an old Atari machine, and despite being “all in all a fairly dull game” is still more playable than Elite. And Perils of Willy!
Moving into the special section they’ve got this month for MSX games, which strangely has its own scoring system, we can still easily conclude that Comic Bakery is better than Elite on all fronts except a narrow miss on graphics. And finally, also on MSX, we have classic Konami penguin ice-skater Antarctic! Again, not too hard to draw a conclusion… Additive quality 10 Lasting appeal 8 Graphics 10 Overall 10
Keep in mind that even though lasting appeal is all that’s stopping it being the perfect game, it’s still out-lasting the thousands of hours worth of gameplay available in Elite and the decades of challenge in Perils of Willy! In the words of the reviewer, “I recommend this family game to anyone who has an MSX computer. It’ll be remembered as a classic.” And I want you to remember that the next time anyone tells you Elite is the greatest game of all time!
A year or so ago I was playing P-47 on Amstrad CPC (and that’s P-47 Thunderbolt or Freedom Fighter depending on where you’re looking in that package at any given time), and thinking what a great job they’d done on capturing the atmosphere of the sumptuous, sun-setting second level of the 1988 arcade version… Far more so than the Spectrum version I was far more familiar with, where atmosphere by complex colour gradients was a bit more of a challenge! And then I thought about the arcade version and how that level was still just one of the best-looking things I’d ever seen as I approached my sixth calendar decade of gaming.
Being a bit useless with MAME and arcade emulation, I went straight to the next best thing with the PC-Engine version, quickly remembering that this was a bit more of its own interpretation of the original. My old band rarely did cover versions, but when we did, we’d make a point of not listening to the original and just going from memory and what we thought it sounded like (which is how our Brown Sugar ended up being an 8-minute goth-punk odyssey)! And that’s just how this feels! You know what it is, but, for example, the train “boss” at the end of the first stage is now the big plane that briefly drops into the arcade version mid-stage. Fortunately, they remembered the sunset background on the next level and got it pretty spot-on; actually, the second level is a pretty good conversion, though overall, for a machine so well-known for its shooters, it does feel a bit floaty to control, and the CPC and Spectrum versions are more fun to play, if not quite as fun to look at.
Since then, earlier in 2020 we got the Arcade Archives release of the orignal P-47 on Switch and elsewhere I expect too, giving us that ancient holy grail of the arcade-perfect version to play at home. And also the holy grail of that wonderful, sumptuous, sun-setting second level in all of its glory on the TV in our living rooms! Now, as regular viewers will know, I like a list. And all of this has had me thinking for months about my favourite sights in all of gaming, and here we are!
I wanted to keep this focussed on quality over quantity, so I’ve been thinking about top five rather than top more. But interestingly, that five was pretty straightforward for me to come up with, where a top ten, for example, would be more of a challenge because I’m still struggling to really come up with anything else that has had the same visual impact on me. Actually, the only thing I have come up with in those months as a potential number six is that glittery ghosty gold level in Super Castlevania IV on SNES (also known at Stage IX)!
I’m also not sure about the right order yet, so I’m going to start with the undisputed winner then just see what happens! And the undisputed winner is, of course, a very specific moment near the very start of the very first stage of Out Run, where you’ve just hit the first hill and then the initial dual three-lane bits of road you’ve been driving on come together into this vast, exotic six-lane coastal highway, giving you the first of many exhilerating moments of speed and gravity as you take in that glorious view. And whilst I’m talking about the arcade version here, the Spectrum version – which I’ll defend forever (see here) – had a similar visual impact at that exact moment! The more I play Out Run, the more I think it’s perfect, which is an accolade I’d maybe only also apply to Tetris and Super Mario World aside from that. And whilst that’s very subjective, I think I can be less subjective when I say that this 1986 vintage arcade machine is still an absolute stunner!
Next up I’m going with the aforementioned P-47’s second level. I’ve just always thought that use of colour here is absolutely jaw-dropping, and couple that with loads going on on-screen and at least 7-8 layers of parallax-scrolling clouds going by under the setting sun, and you’ve got a sight that will keep you coming back to the game for that alone. Good luck getting past it, but if you do get a bit further along there’s some more really nice cloud effects to swoon over, but they’re grey not orange, which means they’re not quite as good!
We’ve been from 1986 to 1988 so far, and now we’re landing right back in the middle with 1987’s Olli & Lissa: The Ghost of Shilmore Castle on the ZX Spectrum. Apart from Feud on the same machine, more than anything else this is my go-to gaming comfort food, and whilst the first screen is my chicken wings and garlic bread, here we’re talking about the second screen and a giant ham, mushroom and pineapple (yes, pineapple!) pizza all to myself! The game itself (more here) is old-school brutal and unforgiving pixel-perfect platforming. And it’s also absolute vintage ZX Spectrum colour scheming, and I can’t think of any better background colour than yellow for the final atmospheric flourish in this beautifully detailed haunted castle! If I could live in any computer game, it would be a toss up between here and the aforementioned Super Castlevania IV. And as for this screen, I could just sit staring at it all day!
Even now, I still think of the PC-Engine as being a graphical tour-de-force, and can still remember every untouchable screenshot that Computer & Video Games had a habit of shoving down my throat every month in the late eighties! For the next entry we’re still hanging around 1987, albeit in the last couple of days of the year, with the release of Victory Run. And yes, it’s another racing game, and yes, it’s another sunset, and yes, I might be some kind of orange pervert! The PC-Engine (or Turbografx-16 if you prefer) isn’t exactly stacked with racers, but this one is unique. It’s based on the Paris-Dakar Rally, it has a deep vehicle maintenance system (but not in a car-nerdy way) and it’s tough, but my favourite thing about it is that it’s also totally unpredictable, which gives it real longevity too, even after you think you’ve cracked it. The sight we’re looking at now is in the second stage, generated by the day-night cycle that accompanies your progress. The look isn’t a million miles from Out Run or a load of other contemporary racers, and actually you’ve had a preview of the sunset effect in the previous stage, but here in the mountains as you head south through France the effect really comes to life as this brilliant solid orange sky appearing over the top of perfectly tinted clouds. I can only imagine how it looks if you actually make it to Dakar, but until then I’m happy for my game to end around here just about every time I play!
We’re going to conclude this tour of my favourite sights in all of gaming with something that I was going to say is a bit less orange until I looked at it again just now, and that is the pirate ship in Stage 3 of Streets of Rage 2 on the Sega MegaDrive. At the time of writing in October 2020, Streets of Rage 4 is sitting in my top three games of the year so far (spoiler, the other two are In Other Waters and Bloodstained: Curse of the Moon 2). And that is a looker! Best looking toilet graffiti I’ve ever seen in real-life or a game, and such is the attention to detail that you’ll be noticing something new (or old!) play-through after play-through. Speaking of looker, Blaze has only strengthened her case as the hottest video game character of all time too! Anyway, in Stage 3 back in the second game, you’re in an amusement park and eventually you’re going through a door with a “Pirates” sign over it, through the inside of a ship and ending up on the deck full of ninjas. Not pirates. Ninjas. Don’t worry, the only thing that could have made this pirate ship deck look any better was ninjas coming down the rigging at you! This ship is such a contrast and such a surprise after the gritty journey so far, with so much detail in the wood and the ropes and the general ship’s decoration. There’s also a lovely touch with the dark blues of the night-time sky and coastal town in shadow in the background, swaying around like it’s been painted onto a canvas sheet on poles behind an amateur theatre production. And yeah, pick Blaze and she’s also there, all muscle and violence with her eye-catching minimal martial arts-wear, and if you’re lucky maybe a sword pick-up in her hand as well! Thank goodness for pause, because that ship moment is all too brief (and yes, who’s the pervert now?) and you really need to slow down the fighting and take it all in every time you get there.
And there we are, but you didn’t think I was going to let you escape without that Spectrum Out Run moment did you??? Hope you enjoyed the tour, and I would be truly fascinated to find out about your favourite sights in all of gaming!
Power Drift passed me by for a very long time. I remember the arcade game in the late eighties, and thinking it looked like Out Run on a rollercoaster, but don’t think I ever played it, and never got a home version, which at the time would have been the Atari ST one for me. Much like Stunt Car Racer (see here), it’s a bit of a mystery why I didn’t get it because it was right up my alley and I seem to remember it reviewing pretty well. That said, looking at it on the ST more recently, the cars look too big for the tracks and it seems to struggle a bit with some of the more exotic track furniture, so maybe steering clear was a good move. I also remember the PC Engine version being reviewed, and like most things on there, wished I had one of them!
That’s about it until 2016 and the Sega 3D Classic Collection on 3DS, and suddenly realising how much I’d wanted to be able to play Power Drift for all those years without ever knowing it! And it’s the arcade game in your hand, which will never cease to amaze me whether it’s this or R-Type or Elevator Action! That said, in this case I’m still pining for the arcade version of Power Drift at home on a big screen, and hope that one day Sega will do the right thing on the Nintendo Switch so I’ve got the best of both worlds! Just like its predecessors Out Run and Super Hang On, the sprite scaled 3D with loads of parallax scrolling is still a wonder to look at, with all those huge ramps and bombastic environments. And the game still feels great to play, where your car is always just about under control as you fling it around some really fun track designs. But that’s not why we’re here today…
We’re also not here to talk about Fantasy Zone II on that compilation, but I need to give it a mention because I’d never even heard of this gorgeous side-scrolling shooter franchise until then, and it would not only become the game I played more than even Thunder Blade on there, but it would also become a beloved series for me as a result! Since then I’ve obsessed over seeking out every Fantasy Zone game on every system I can get my mitts on, and whilst I may never admit it again, any number of Fantasy Zone variants might top Andes Attack on the VIC-20 as my genre favourite when I get around to thinking about it properly!
Back to Power Drift, after the arcade game was released in 1988 it was ported all over the place the following year to the 8- and 16-bit computers, then the PC Engine and I think the Saturn too. But as was often the case for stuff like this at this time, versions for my old flames the Spectrum and Commodore 64 would be way off my radar for decades to come. Until now!
At this point I need to thank my kindred spirit and favourite YouTube streamer Nick Jenkin for taking me on this particular journey of discovery, as well as several others – on top of the C64 version of Power Drift, which led to the Spectrum version, there’s also Pacmania and Super Monaco GP on the C64, and Komando 2 and Enduro on the Spectrum to name just a couple. I’ve been watching his retro gaming reviews for a few years, but have recently really enjoyed his company several evenings per week in his live streams. Very nice man and very nice community having a very nice time with retro games on a variety of systems, and you should check out his channel here!
Racing games were never really a big part of my original C64 experience (not being a big part of my C64-owning friend Stephen’s C64 experience), but I’ve always loved that version of Buggy Boy. I’ve latterly spent a lot of time playing Super Cycle too. And I’ve played some stinkers, with WEC Le Mans probably being the greatest culprit of all… Play it on the Spectrum instead! And we’ll come back to that later.
My first impression of the C64 version wasn’t that great. And keep in mind that at this point, this is my only experience of an 8-bit version of the game, not Spectrum bias! The road edges looked rough, and when you hit the hills you’ve got a jarring journey up the screen on a straight, flat floating road with no ground on either side, versus the exhilerating gravity rushes of the arcade version. I’m not a fan of the sound either – if I have to make a choice, I want engine sounds in a racing game and not a chiptune. But for all of that, it’s so much fun to play! I had no expectations that this was going to run at any kind of pace at all, but apart from the lacklustre hills, everything flies by in beautifully varied 3D across the different courses. Cornering feels really tight but loose enough at the same time to make you feel like you’re hanging on for dear life in the later tracks. This is a really, really good conversion!
Over on the Spectrum, it starts off looking and feeling very much like its superlative version of WEC Le Mans. With rollercoasters! And no, I know what you’re thinking, but I won’t have a word said about the Spectrum version of Out Run (see more here)! Anyway, it’s by the same guys that did the Le Mans game, and carries over all of its detail and all of its speed (as well as its colour schemes, for better or worse), delivering not only a great-looking version of Power Drift, but a very faithful rendition to play too.
This just feels like a much more ambitious conversion that the Commodore 64 one. The graphics have loads more going on, with all sorts of bumps in the road that you really feel, as well as the arcade-like hills going off in all directions. The 128K version (which is the one you want to avoid multi-load) kind of fixes the lack of sound effects too… Until someone in front of you finishes before you, in which case everything seems to go silent in sympathy! And sometimes it seems to just decide you’re getting music instead of the preferred engine sounds on some tracks too.
Compared to the C64, the Spectrum version is a harder game which feels more tactical and more like you’re in a race. Actually, I’m even tempted to make that comparison with the original arcade version too! It reminds me a lot of Enduro Racer on the Spectrum. And that is high praise indeed!
But now that Spectrum bias is back, right? Just look at all those Spectrum words! Well, maybe they’re compensating for how I’m going to close this. For everything the super-slick Spectrum version does right, and for the really, really crappy hills in the C64 version, the latter is just more fun to play! It absolutely nails the spirit of the arcade version, and doesn’t try to go one better like the Spectrum one.
Which, in conclusion, means that you need to be playing both versions of this for two different, but probably equally engaging versions of the wonderful Power Drift.