My Life With… Operation Wolf (ZX Spectrum / Atari ST)

I vaguely remember seeing Operation Wolf, with its mounted Uzi, in an arcade, but where it really made an impression was long before that in Computer & Video Games magazine’s Arcade Action section. Whilst I’d generally skip over that section with just a few glances at the screenshots, I remember three games on those pages that absolutely blew me away, and there was no chance in hell there’d ever be home computer conversions! They were R-Type, Out Run, and, of course, Operation Wolf, where all your Rambo fantasies could finally come true with graphics like you’d never seen before!

As a side note, at the time of writing in February 2019, I recently picked up arcade perfect conversions of R-Type and Out Run on the Nintendo Switch; they did come, and with Out Run in particular, I still can’t quite believe what I’m seeing on my TV screen even three decades later- when you consider how amazed I was by the ZX Spectrum version when it came, and how bad everyone else seems to think that version is, maybe not a surprise!

I don’t think I’d ever wanted a game as much as I did this; with arcade conversions, especially such high profile ones, expectations of quality were always secondary to the fact that it was just coming to the Spectrum! It arrived in all its monochrome glory for Christmas 1988, and if I remember right was a present from my grandma and auntie. What I definitely remember right is my first time playing it on Christmas Day evening, in my auntie’s bedroom, on her Spectrum+2 and a 14-inch black and white portable TV. As was often the case playing Spectrum games at the time, the fact it lacked colour didn’t, in reality, matter that much! That said, let’s not forgot it more than made up for the lack of colour in the main game by filling the little “suiting up” montage you got when you first loaded the game up with the most garish colours it could manage!

On the home versions, the Uzi was replaced by a crosshair, which controlled fine with a joystick, as the screen scrolled from left to right and enemy soldiers, tanks, gunships and gunboats filled the screen from all directions to bring you death. As well as your Uzi, you could also bring them death with your limited supply of grenades; letting the screen fill up with vehicles and soldiers then dispatching them all at once this way was a great feeling! As was shooting one of the daggers out of sky as it flew at the screen before it hit you and briefly stayed in place, full stab.

The story, such as it was, was true to the arcade original – go through six military themed levels in jungles, prison camps, airports and various bases to rescue the hostages. Each one was a bit more than just shooting everything in sight; you’d have a task like cutting off the enemy communications or getting information out of the enemies, although all of that did involve shooting everything that moved unless it was one of the fleeing civilians or nurses carrying some unfortunate in a stretcher who shouted “NO!” if you shot them. The first few levels were all do-able but I’m not sure I ever got to the end of the final level in the airport.

The Spectrum version was one of the best arcade conversions the machine got, with absolutely stunning looking graphics that perfectly captured the feel of the original. And there were so many types enemies on screen at once in the distance and in the foreground (including the one that looked like something out of The Village People) and all over the place without any kind of slowdown or mess. The +2 version sounded good too, with a suitably testosterone-juiced theme tune. Overall, out of the two versions I owned, it’s the one I really remember most fondly…

As time passes, it becomes increasingly difficult to dip into recollections from decades long past, but in the case of my Atari ST Operation Wolf experience, I have a major helping hand! Christmas always brought with it a diary for the coming year, and in the days after Christmas you would start re-writing your friends’ phone numbers, family birthdays and school holidays into your latest pocket-sized planner. They always had a theme too, like fishing or cycling or football, with half the pages full of related encyclopaedic content. And for the first few days of the year, you might even use it to record what you’d been up to… “I rushed home to play Op Wolf and it lived up to my high expectations. It is brilliant, the only problem being that it is on three disks. I got to stage 5 on my first go.” The diary then goes on to describing watching Lethal Weapon that evening!

This was all around the beginning of 1990 for me, but the ST version came out around the same time as the Spectrum one, and was probably the only dampener on that version – as great as the Spectrum version looked, in magazines like C&VG you were seeing it side by side with this incredible, virtually arcade perfect looking version on the ST. As well as the glorious graphics, you also had all the little details like the pigs running around you could shoot for extra ammo, and some great enemy death animations especially when you shot one of the guys up close to you. And more than anything, it had a mouse that made shooting stuff a lot easier than with a joystick! This was a really great conversion, but what’s interesting to note is that I don’t remember ever being blown away by it, like I had been the Spectrum version just over a year earlier – it didn’t take long at all to become spoilt by the incredible games that just came as standard in the next-gen machine. Or maybe it was just all the disk swapping.

And despite getting to stage 5 on my first go, I never did get to the end of the game here either!

My Life With… The Legend of Zelda (NES / Switch)

Much like Nintendo as a whole in the 1980’s (after Game & Watch at least), the Nintendo Entertainment System completely passed me by. When it launched in Europe, I was still fairly new to the ZX Spectrum, and when it was time to move on from there, I don’t remember ever even considering any console – it was just a choice between Amiga (boo) and Atari ST (yay)! Super Mario Land on the Game Boy would be the first time I’d touched anything Nintendo since Snoopy Tennis, and whilst everyone knew of Mario, I’d certainly never heard of Yoshi or Kirby, and definitely not Zelda or Link!

Over decades of gaming, of course I became more aware of the Zelda games, but was never compelled to try one on the Game Boy and its successors, the GameCube or my son’s Wii. Then when I got a 3DS in 2017, Ocarina of Time was dirt cheap and knowing its reputation, bought it with the console. Then didn’t touch it… Fast-forward to May 2018, a Switch for my birthday, as well as a copy of Breath of the Wild , which I also didn’t touch for months, but I had an excuse this time!

I decided I couldn’t start Breath of the Wild until I’d played one of the classic Zelda games, to have an appreciation of where it was coming from. By this time, I actually had a choice – as well as Ocarina of Time, I now had a NES Classic Mini too, which also offered the original The Legend of Zelda and Zelda II: The Adventure of Link. As I’d not really heard anyone over the years hyping up the NES games, and obviously everyone hypes up Ocarina of Time all the time, I went there first. And it was great, and I finished it (which took the entire summer), but it didn’t say greatest game of all time to me. I fired up Breath of the Wild the very same evening I finished Ocarina of Time, and over the 90+ hours it took me to finish it, it did blow me away. I was very glad I’d played Ocarina of Time first because it gave it context and also heightened the spectacle of this new masterpiece; now we’re getting closer to that greatest game of all time tag!

September 2018, and where do we go from here? By now, I’ve gone from couldn’t care less about Zelda to fanboy in the space of a few months, and I wanted more, so of course we go back to the beginning. And by now I have a choice of where to play it, with the launch of the Switch online service and its library of NES classics (and that dreadful football (soccer) game). I decided it deserved to be played with a proper controller though, so went for the NES Classic version. Initially at least…

Originally released in 1986 in Japan and 1987 elsewhere, you play Link, a young man out for some action-adventure who needs to find eight bits of the broken Triforce of Wisdom spread all over what must have seemed like a massive monster-filled Hyrule at the time, then confront the evil Ganon and rescue the kidnapped Princess Zelda. Then do it all again, should the urge take you, in a harder and remixed second quest.

I was aware that this game didn’t exactly hold your hand when your adventure begins; you start with nothing, and I knew about people spending hours burning bushes, bombing rocky outcrops and prodding statues just to find basic equipment before you even think about finding bits of Triforce. I’d also read an extremely useful tip – read the manual! In particular, it pointed to a map you find in there, apparently included because Nintendo of America decided it was all a bit too much…

Look really closely, and you can see question marks – at least you know where the bushes are worth burning! Eventually, suitably equipped with the start of what will be a veritable arsenal of powerful gear and life hearts by the time you’re done, you’ll come across a dungeon. Things are a bit more straightforward with the dungeons, where you’ll find a map, a compass, sometimes some equipment like a raft or whistle or magic rod, which will be essential for getting to or completing later dungeons, and then a boss between you and your bit of Triforce. Collect all the bits from the eight dungeons, then there’s one more dungeon hiding the big bad boss man and Princess Zelda.

As you get more powerful, the challenge ramps up, but all the time the focus is on exploring every aspect of the 128 screens of Hyrule and its dungeons, which is hugely rewarding when your patience finally pays off. The monsters that inhabit the dungeons do become more challenging too, and by the time you’re at the sixth or seventh, you’ll be tearing your hair out trying to dispatch a screen full of teleporting undead wizards or knights you can only attack from the side then getting out of there with enough health to make it worthwhile carrying on. None of this more so than in the final Ganon dungeon, which is a beast by the standards of 30 years ago or of today. Thank goodness for the modern convenience of easy saves and restarts on the NES Classic and the Switch…

I almost forgot the Switch. Somewhere around dungeon two, I’d completely fallen in love with this game and kept thinking how cool it would be to have this ready to go anytime and anywhere on the Switch. But by now I was thinking even more that the right way to play it was on a NES controller, as well as the fact that if I finished it on the NES Classic it would have made buying it worthwhile in itself. Then I had the brainwave of catching up to where I was on the NES Classic on the Switch, and playing every dungeon on there as soon as I’d finished it on the NES Classic. Which is what I did to the end, at which point I decided I could dabble in the second quest on the Switch whenever I feel like it.

The Legend of Zelda is an an incredible piece of games design today, and I can only imagine the impact it had on anyone that had the patience to get to the first dungeon back in 1986/7. The remarkably atmospheric 8-bit world completely immerses you – through the distinct looking forests, deserts, coastlines and lakes as you traverse Hyrule; through the menagerie of different monsters and characters you come across; through the wonderful music and now-iconic sounds; and through the vast and ingenious world and dungeon design. Truly epic, and for me, one of the greatest games of all time.

My Life With… Olli and Lissa: The Ghost of Shilmoore Castle – ZX Spectrum

For a couple of years, aged fourteen and fifteen, my then-best friend Thomas and I decided it would be a good idea to get each other no income-friendly Christmas presents. For Christmas 1986, knowing a Spectrum +2 was on the way, he acquired a C90 mix tape of Spectrum games for me from another Speccy-owning friend of his. Unfortunately the majority never worked, though I do remember being blown away by my ill-gotten copy of wire-frame helicopter sim, Tomahawk, for actually loading as much as anything else! Speaking of wires, we both dabbled in electronics at that time too, and I recall getting him a selection of different types of wire in return! Anyway, things went slightly better in 1987 when he got sweets and I fared even better than an industrial load of our favourite lemonade crystals with what would become one of my top five favourite games of all time!

I’m not entirely sure how Olli and Lissa eluded me for a year after it’s release; it was a £1.99 budget game from Firebird in 1986 and I’d bought some right turds at that price through the year! Everything about it was right up my increasingly spooktastic street, albeit in a very cute, cartoony way. But finally we were united, and on Christmas Eve I rode home across town from Thomas’ house on my bike, present safely secured in the pannier bag on the back, completely unaware of how much I was going to fall in love with jumping about an eight-roomed, cruel, beautifully atmospheric yellow castle over the next few hours… until I was dragged off to midnight mass, though at least it got that out of the way for Christmas Day to be lived to the full!

As I write this, I’ve got the title screen playing its looping bursts of multi-layered gothic Spectrum chip-tune, interspersed with pauses for a clap of thunder (white noise) before it ends in a subtle crescendo and you get what seems to be a slightly longer clap of “thunder” before it starts again. It really is one of my favourite pieces of 48K Spectrum music, which I realise isn’t saying a lot, but it does a wonderful job of setting the scene for what follows!

The “menue” screen then introduces the characters while the music thankfully keeps looping for extended enjoyment. The story goes that the ghost of Sir Humphrey needs you, the titular Olli, to get him a load of ingredients so Lissa can mix up an invisibility potion in her big cauldron and he can scare off the folks that are planning on shipping his castle to America. We could debate the amount of fear induced by visible versus invisible ghost, though I suppose it depends on what he’s planning on doing while he’s invisible, so let’s just accept the storyline might not be the game’s greatest strength!

The very first (of the aforementioned eight) screen is everything I love about this game. The creepy atmosphere is just incredible, and bizarrely everything being yellow somehow adds to the atmos! The attention to detail in the little 3D castle windows or the ornate stone flourishes above the portcullises really bring the castle alive. And it doesn’t stop with the backgrounds – don’t move for a second and Olli’s blobby sprite will turn and question what you’re playing at, then start tapping his foot impatiently. Meanwhile, up at the top of the screen, Sir Humphrey’s ghost paces (in a floating kind of way) up and down the platform where Lissa is waiting to mix stuff up.

When you start, Sir Humphrey will tell you what ingredient you need to find next in a little speech bubble, then off you trot to get it. A strange menagerie of gnomes, ghosts, spiders, little paranormal octopus things, bats and a nasty caterpillar will hinder your progress as you hunt around the castle then outside it through the woods and caverns and back across the ramparts to find the his ingredients then make your way back to Lissa and her cauldron where she’ll reward you with a kiss before you set off for the next one.

Not that you’re ever going to see much of that saucy action – this is one brutal, pixel-perfect left, right and jump platformer, and the sight of Sir Humphrey battering you with a brush when you run out of energy (which quickly ticks down regardless of you hitting stuff) is a much more familiar sight!

You will spend a very long time jumping over beasties then trying to go up and down stairs before that come back for you in the gap before their rapid return from their movement loop in the first two castle screens before you even get a occasional sniff of the outside world! But given how much I love that castle, it never really put me off, and seeing the spiders on the spooky trees or jumping across the lake was only ever an infrequent but unnecessary bonus. Instead, I did (and still do) while away many a happy hour just dying over and over again… in the cruellest, yellowest, best ever castle in gaming history!

As a footnote, there was eventually a trilogy of these games, but neither of the sequels ever really did much for me. Olli and Lissa II: Halloween, released a year after the original in 1987, had you as a witch on a broom and was a poor-man’s Cauldron (literally!) for as much as I ever played of it. By the time Olli and Lissa III: The Candlelight Adventure arrived in 1989, I’d jumped ship to Atari ST and only played it much more recently. In its defence, it is a more direct evolution of the first game with a more multi-coloured, Firelord-esque graphical style, but it definitely ain’t top five games of all time material like its predecessor!

Bonus Post – Remember ZERO Magazine?

Old gaming magazines like Computer & Video Games, Crash and Zzap! 64 quite deservedly still get a lot of attention, but whilst looking for a specific copy of C&VG from a pile that covers most of the eighties for my last post, I found a rogue magazine in my carefully ordered, er, pile! That magazine was issue one, November 1989, of something I’d completely forgotten existed, ZERO, “the brand new magazine for you, the 16-bit and consoles games player.” As I’d forgotten about it, I thought others might have too, so here we are!

What I expect drew me to it, and the subsequent issues I bought during its three-year lifespan, was the cover disk, which featured not only demos, but actual full games for the Atari ST and the Amiga. Actually, this mag did cause a bit of controversy when it stuck a strip poker game, Cover Girl Poker, on the cover. In the interests of a well-researched post, I did seek out this game and play a few rounds… It appears to have been linked to the UK’s finest newspaper, The Daily Sport, and features some of its finest regular glamour babes, including gaming favourite, Maria Whittaker. By complete coincidence, this is the second post in a row that mentions her – the previous referencing her most well-known work, the Barbarian cover! Anyway, it’s not a great game but I’m sure served it’s purpose for ZERO mag.

Issue one featured a couple of games, worth £40 according to the first issue’s cover! On the ST you had Recoil by Jonathan Smith, who’s previous works included classic Spectrum conversions Green Beret, Hypersports, Batman, Mikie, Cobra and more. This was a Defender clone that was pretty fun. On the Amiga you had Merv the Merciless, which I’ve never played but you seem to be a troll collecting stuff and avoiding other stuff whilst trying to keep up with a top-down scrolling screen. Also looks very nice.

Back to the mag itself, reading it again it’s pretty cool. Usual stuff – previews, reviews, competitions, developer features, tips, comic strips, and best of all, The Price I$ Right, a feature on budget games that is actually presented by Leslie Crowther! Or at least there’s a picture of him on the page, which I really wasn’t expecting when I flicked through it today!

This month one of the opening features was a kind of lighthearted mass review of some of the big flight sims making waves on ST, Amiga and PC at the time, including Falcon, F-16 Combat Pilot, Interceptor and F-15 Strike Eagle II. Quite rightly, Falcon came out on top with a score of 92% – Top Gun had finally arrived on your home computer with this corker – MIG21’s, burning it up over desert mountain ranges, outside views for a cool fly-past and some brilliant cockpit action (my words not theirs)!

I’m a little disappointed by the main event review this month – Tintin on the Moon. No interest in Tintin ever, and I imagine that 17-year old me was equally unimpressed. Continental Circus, the pioneering “True 3D” arcade racer was next, justifiably getting a better score than Tintin; interesting fact here – it was supposed to be called Continental Circuit but without Google Translate in 1989, they had a few Japanese to English translation problems! Also reviewed were Steel, Dynamite Dux, Gunhed, Vigilante, Bloodwych, APB, Oil Imperium, and the mighty Strider, which received a disgraceful 84% on the ST, and 81% on the Amiga, which makes me a bit happier! In retrospect, it probably wasn’t the best month ever to launch a new games mag! To be fair, things did hot up a bit in the Review Shorts section, which mostly featured conversions of older gems like Paperboy and California Games, but also the 3D alien Pong favourite of mine, Shufflepuck Cafe (83% on the ST and 82% on the Amiga – justice done again!), which was actually a longer review than the non-Shorts reviews earlier in the mag!

After the reviews, one of the features made me smirk… Chip Shop Boys, a feature on getting the most out of your MIDI music features with some bloke from Bomb the Bass, which begins with “Fancy yourself as Jason Donovan? Garry Glitter? Richard Clayderman?” I can’t believe they spelt Gary Glitter’s name wrong…

The tips section featured a complete solution to Spherical, which I don’t have any recollection of, and a map for Mr Heli. Again, hardly magazine sellers, but with £40 of games on the cover, who cares? There’s even a section for hex, POKEs and hacks to type in!

Near the end now, and it’s time for the Price I$ Right, featuring £9.99 budget titles such as Populous Promised Lands, which scored 80%, and Postman Pat at 77%; funny how nowadays you don’t hear about the Postman Pat game only 3% less than you hear about Populous…

Even in 1989, computer games mags still insisted on an adventure game section, quite rightly at the back of the mag where no one cared about it, but ZERO really knew how to close a magazine, and in issue one it did so with an interview with none other than Jeremy Beadle. Genius!

I had a great time flicking through this, even if most of the games in October 1989 were a bit crap. What’s really cool is seeing the adverts you used to see every month everywhere again after a near 30-year gap! Remember this one with the MIDI keytar?

My Life With… Enduro Racer – ZX Spectrum

I bought Computer & Video Games magazine religiously every month between the end of 1983 and around 1991. By April 1987, my school journey consisted of either one slow bus from about ten minutes walk away from home that went right across town, or a quick one from the end of the road into town then pick up the slow one there. As well as less of a walk, the latter also allowed a cheeky visit to WHSmith, which at around 7.45am was always an interesting shop because only the newsagent bit was open, signified by the lights being on there whilst the rest of the shop was in darkness! Anyway, until I realised that Smash Hits wasn’t really covering the type of music I liked anymore, it meant I could buy that every week, then for a few days every month go in wondering if C&VG would be out yet.

Seeing the cover on the shelf was always exciting, and over the years produced some incredible, iconic artwork that could sell you a game by itself, let alone the magazine! But now and then it was a bit crap, as was the case with the May 1987 issue – an evil looking, wounded elf-thing throwing two badly proportioned, overly-loaded dice with some purple pterodactyls flying about behind him. “Join the Guild of Thieves!” it exclaimed. Really didn’t do much for me, but slightly deflated, I still dutifully bought it and things quickly picked up inside…

But before that, I’m going on one of my asides. I went digging back through my old copies to find the pictures you can see here, and remember what I said about Smash Hits a minute ago? Well, right there in the contents is a picture of the guitarist from Dark Angel – Music, p.56… I’d completely forgotten about C&VG’s We Will Rock You section, which this month featured reviews of the aforementioned Dark Angel’s Darkness Descends, Joe Satriani’s Not of This Earth, classic Christian metal act Stryper’s To Hell With The Devil, and a tiny, two paragraph review of an album called Master of Puppets by Metallica, which they’re not very impressed with due to the lack of originality and their lack of songwriting skills! Maybe they should stick to games in future…

And the same probably applies here, so let me go back to where other things were picking up inside the May 1987 issue. Inside cover – advert for one of my favourite compilations, HIT PAK, featuring Scooby Doo, Fighting Warrior, 1942, The Sacred Armour of Antiriad, Jet Set Willy 2, Split Personalities and Duet (a previously unreleased bonus game that I really don’t remember being on my copy when I eventually got it). Some of my all-time faves all in one place! Opposite was an advert for Paperboy, then the heavy metal contents page, then a big double page advert for Enduro Racer. And for a Spectrum owner, this advert was very special because whilst the game was out on Amstrad and C64 (and possibly Atari ST or that might have been shortly after), the two screenshots were very definitely Spectrum ones and not the usual C64 fodder, so things were boding very well. Then we got to news, a couple more adverts, then Game of the Month… Arkanoid! Classic of course, though not as good as the Your Sinclair cover freebie Batty on the Spectrum. Then, what’s this? Another Game of the Month… Enduro Racer! And two more Spectrum screenshots!

I’ve gone on about this a bit because, as mentioned in previous tales, I very rarely got games at launch, but with my birthday only a month away, C&VG’s closing words of “Get it!” had a real resonance with me after reading and re-reading and re-reading their review and poring over the incredible looking Spectrum screenshots!

I do have a vague recollection of seeing Enduro Racer in an arcade in Great Yarmouth, but not so much the game as seeing people violently heaving back on the faux-bike they were perched on to try and get over the game’s big selling point – jumps! It was Sega’s follow-up to Hang On, and shared the above and behind the rider view, but now switched the action to racing an off-road bike.

You’ve got one minute to complete each race, with five different tracks that take in different vistas featuring deserts, snow, lakes and the seaside, all of which are filled with hills and undulations that scroll the track up and down brilliantly at a hell of a pace, other riders, cars, vegetation, water, far too many rocks and boulders, and of course, those wonderful jumps that you had to wheelie in front of just right so you didn’t slow down!

The Spectrum conversion was, quite simply, phenomenal. It is probably the best arcade conversion ever made for the machine – the graphics, the playability, the feel of the bike, the speed, the slight panic as you bounced off the ground after a jump, the little touches like the rider putting his foot down if you went far enough into a turn… and the 128K version even sounded okay! It really was a feat of programming that no other racer on the machine ever really equalled.

Without question in my top twenty games of all time – number fourteen to be specific, sandwiched between The Perils of Willy on the VIC-20 (with its own post here) and Journey on PS4! And just to conclude, we move forwards to the June 1987 cover of C&VG, where normal service resumed with an illustrated Wolf from Gladiators and busty Page-Three starlet Maria Whittaker, of course based on the legendary Barbarian cover art, but that’s another story for another time!

Bonus Post – Ghouls ’n Ghosts on iOS: Arcade Perfection Behind Massive Controls!

This is something I wrote in 2017 that started for someone else then fell between the cracks, but having just found it again I didn’t want it to go to waste…

My history with the original Ghosts ‘n Goblins is indelibly etched on my mind, from the second in the summer of 1987 that I bought it for £1.99 at a service station on the M4, on the way back from a holiday camp in Dorset, possibly Pontins; although the only real memory I have of the camp itself was its shop, which had a fantastic array of pop badges, where I got a fantastic reflective Adam Ant badge that I still wear to this day! Back at the service station, two games jumped out at me from a bargain games rack (which must have been an eighties service station thing) that I’d heard about in C&VG magazine, but like most games, didn’t have the money to buy on release. For completeness, the second game was Southern Belle, which, apart from the London to Brighton speed run mode, never really got a look in for quite some time once we got back home to my Spectrum! That conversion of Ghosts ’n Goblins was all I was interested in that hot and sticky afternoon, and in time would become one of my favourite games ever, despite never getting very far!

Ghouls ‘n Ghosts admittedly made less of an impression – maybe because by the time I’d picked it up on the Atari ST, I’d been playing platformers for the best part of ten years, and the ST offered so many newer things in gaming to me – Hard Drivin’s 3D replays and mooing cows, Defender of the Crown’s cinematography, Carrier Command’s vehicular variety, Speedball’s sporting violence, etc. But for all the familiarity of the genre by now, it was still lots more of Ghosts ’n Goblins in every way, especially when you consider that I was coming from the dumbed-down Spectrum version! The graphics were beautifully detailed and drawn (and without a hint of colour clash!), the soundtrack was one of the best on the ST to date, and the simplistic, hard as nails gameplay was on another level. Which meant not getting very far all over again!

There was one thing missing though, which it took me the best part of another twenty years to realise… There were no dirty great virtual buttons all over the TV screen! Fast forward to 2017, and Capcom have finally solved that huge (literally) omission with the release of Ghouls ’n Ghosts for iOS!

Ghouls ’n Ghosts arrived onto iOS a few months after its predecessor, which was released earlier in 2017 together with mobile versions of 1942 and Commando; two more games that are among my favourites of all time! They’re all pretty much arcade-perfect versions, which blows me away every time I load any of them up – we’ve come a long way since Snake on phones, and even further since the Spectrum!

Unfortunately, the few months between releases weren’t spent on the dirty great elephant in the room that all of these versions occupy – the controls. Now, I play a lot of games on iOS and I’ve got absolutely no problem with touch controls, virtual buttons, swipe controls, etc. but these are something else! And rather than trying to optimise them for Ghouls ’n Ghosts after all the “constructive criticism” they can’t have missed for the other releases, Capcom have simply offered the same wealth of bizarre alternatives…

Type A gives you left and right arrows, two slightly misaligned (but massive so it doesn’t really matter) up and do wn buttons, and on the other side massive attack and jump buttons, all with convenient icons in case you can’t read the massive words on them. Type B offers two massive up and down arrows with invisible left and right between them, and massive attack and jump as before. Type C gives you invisible up, down, left and right and the standard massive jump and attack. Then there’s virtual controls, which give you a more normal looking directional control that should be the best of the lot but I’m still strangely drawn to Type A as my preferred method.

The good news is that if still can’t decide on the method that suits you best, rather than connect a bluetooth controller, Capcom wants to save you all that messing around with pairing and connecting, and gives you the choice of Normal or Compact control modes! If you’re taking advantage of the arcade experience on an iPad’s big, lovely screen, the Compact method might be the more user-friendly option unless you have giant hands, as the Normal mode spreads the action to all four corners of the screen for you. In their unplayable defence, they are a bit smaller in this mode. This really is a new level in touchscreen design!

But what about the game hiding beneath the massive controls? I’m pleased to report it’s definitely Ghouls ’n Ghosts in all its gorgeous, brutal glory! Every element of the original side-scrolling, medieval-shooting arcade platformer is intact – the stunning, crisp, atmospheric graphics; the Phantom of the Opera on a chip-tune organ soundtrack; the oddly high-pitched sound effects; and, of course, the mystifying amount of fun to be had from a game so horrendously difficult!

That difficulty isn’t helped by the controls, and it takes quite a lot of playing before you stop mashing the wrong buttons in panic when you’re surrounded by grim reapers and a swooping vulture! But when I faced similar problems with Commando (or Wolf of the Battlefield: Commando in case you’re struggling to find it by its Western name), having this on my phone and tablet meant too much to me to let the controls beat me – the game did a good enough job of that by itself! Just find the least offensive control method and persevere, and there’s the same endless enjoyment you had taking Arthur through hordes of undead, demonic stuff that you experienced in the eighties!

A new casual mode is offered if things get too tough. You get more lives, a double jump, and I can’t put my finger on exactly why, but it is a bit easier – possibly less enemies – though it all still seems pretty frantic to me! Regardless of the mode you choose, you’ve still got all those lovely touches that made this game stand out all those years ago – losing your suit of armour on the first hit and playing in your pants; the magician popping out of a chest and turning you into a defenceless duck; the grim reapers peeking out from behind trees; and I want to give a special mention to the wind effects, should you ever get out of the graveyard, which hinder your progress but reward you with the most stunning trees getting blown about that you’ve ever seen in a game, and they really pop on an iPhone 7 or iPad Pro screen!

Many will find the control issues a game breaker, but every time I get frustrated with them I just think of myself thirty years ago and wonder what that fifteen year old would have thought about not only carrying a version of this around in his pocket, but carrying around the arcade version in his pocket… That had cost him less than half the price of a Mastertronic game… Then I hit that virtual start button again!

Before I leave you, one closing word on the controls. If you think these are bad, just check out Sega’s new port to mobile of Phantasy Star II, released just a week ago at the time of [original] writing. At least Capcom had the forethought to show you most of the action, but if you have any interest at all in the story behind this text heavy, creaking RPG, you might want to find a different way to play it!

My Life With… The Perils of Willy – Commodore VIC-20

Expanding my VIC-20 to 16K RAM was always going to be a hard sell to my parents. “This plug-in cartridge adds 16K RAM to your VIC’s memory, which allows you to write and use longer programs, store more data and increase your VIC’s capacity.” To an 11-year old equipped with his Ladybird How it Works… The Computer book and a couple of marathon type-in games under my belt, it all made perfect sense, but between Christmas 1983 and Christmas 1984, none of this really translated into parental justification!

During that time though, one thing happened, that in my mind at least, was all the justification anyone needed – I played The Perils of Willy at my friend Steven’s house! Not being able to afford most of the exotica you saw every month in Computer & Video Games magazine, this method of games discovery would be a mainstay for the next few years, at least until he went C64 and I went Spectrum, and things like Ghostbusters happened… Having said that, as I write this I’ve just had a go at their version of Green Beret on my new C64 Mini, and they definitely didn’t get it all their own way!

Over the course of 1984 – the greatest year in pop music history – I became extremely clued up on Frankie Goes to Hollywood, Spandau Ballet and Duran Duran, but I think I stayed pretty oblivious to Miner Willy’s other adventures on the ZX Spectrum. I would later own Jet Set Willy on there, and play Jet Set Willy 2 on the Commodore 64, but it would be more than thirty years later that I’d actually get my mitts on the wonderful Manic Miner!

The year went by, and despite still not having a clue what this bizarre, anonymous brown box that plugged into the back of my VIC-20 did, the 16K Expansion cartridge and a copy of The Perils of Willy were dutifully delivered by my parents for Christmas after months of badgering – there may have been some doubt about people knowing it was Christmas time that year, but I definitely knew it!

You could look at The Perils of Willy as a stripped-down Manic Miner knock-off that somehow found it’s way, via Software Projects, onto the VIC-20 – it may have now been a massive 16K beast to me, but to most I guess it was seen as a dying minnow, expanded or not, at that time. However, I prefer to see it as the official Miner Willy game developed exclusively for the VIC-20 that it really was. The Spectrum crowd could only look on in wonder and jealousy at the 33 screens and superior sound!

The premise is that Willy’s had a bit too much to drink on a night out and decides to walk home, catching the notes of music “that seem to hang in the air” across a variety of screens meant to be parks, railways, possibly rooms and other areas. Unlike Manic Miner, none of the locations were named, and given they’re generally a colourful jumble of platforms and conveyor belts with killer dogs, ducks and balloons flying about, it can be hard to work out where you’re at. But the gameplay itself makes it straightforward enough to navigate – collect the notes on the screen within a certain time and you move onto the next. What’s not straightforward is playing it! This is a tough game requiring precision timing of jumps that are a bit floaty (even though Willy appears to have put on a bit of weight on the VIC-20) and take some getting used to, but once you do then this is as much fun as any other Miner Willy game. What I really loved were the dirt platforms that dropped away as you ran over them – real Indiana Jones stuff (which, as a side note, I potentially saw for the first time at my Grandma’s house on Christmas Day night the very day I got the game)!

Despite the hours spent being hypnotised by one of the most “hardcore” 8-bit theme tunes ever created, I never did finish it – I do recall there being a POKE in Computer & Video Games giving you 255 lives. I also recall starting it with POKE in hand on a Sunday morning, leaving it on whilst out with the family on Sunday afternoon, then playing until bedtime, and surreptitiously leaving it on overnight and all day Monday while I was at school. I got through a hell of a lot of it (or, put another way, less than 33 screens of it), but never got to the end game. Assuming there actually was one, as it was rumoured it never finished even after 33 screens!

I guess if I’d played Manic Miner or Jet Set Willy at the time I might feel differently, but I didn’t and The Perils of Willy remains my favourite old-school platformer. Ever!

Retro Arcadia

The games that made me. All the way back to the 1970's.

Tag: eighties