As much as I’ve enjoyed dabbling with the series for years, I’d never actually made a serious attempt at any version of Splatterhouse until my PC-Engine Mini came along in June 2020. It was the very first game I fired-up on there, and to date is the only thing I’ve finished on there, though Fantasy Zone has certainly taken more of a beating! Anyway, PC-Engine Splatterhouse is a fantastic version that looks and feels perfectly at home there. Marvellous game!
It took me a few months of chipping away to get to the end, after which I planned an assault on the original arcade game, then the Mega Drive versions of II and III. And all along, I wasn’t even aware of anything of the sort on NES! Actually, it took a podcast I was listening to mentioning a “troubling” hooded figure in the NES game to make me pay attention and look it up. Now, I’m not the person to find anything offensive, but I can only imagine that the source of their offence was the innocent Satanist boss character who was something mistaken for something more racist…
Back to Splatterhouse, it’s an arcade beat ‘em up from Namco in 1988 that’s wonderfully heavy on the gore. It follows a couple (named as Rick and Jennifer in the later home versions) who get split up in a haunted mansion, where she gets possessed by monsters and he gets possessed by a Jason Vorhees mask. Then he goes on a side-scrolling squelchy, bloody rampage to save her. Which doesn’t really sound like your typical NES-fodder, so enter Splatterhouse: Wanpaku Graffiti, a very weird, cutely deformed Japan-only take on the arcade game that arrived on NES in 1989. Welcome to Devil Town…
The clues are there that this is probably a prequel, though it’s not hugely clear and not hugely important! Jennifer is mourning the death of Rick at his grave, he gets resurrected Vorhees-style (complete with mask, but not sure why this time) by a bolt of lighting, and all is well until The Great Pumpkin King – who happens to be buried in the grave next to him – gets sparked back into life by a second bolt of lighting and kidnaps her! A scrap across seven stage ensues, and if you manage to take him out at the end you’ll be informed by the game’s director that this would make a great movie. And then Rick takes off the mask and it comes to life through spooky powers, no doubt for future adventures.
Where Splatterhouse-proper is just a very simple, violent plod from left to right, there’s a bit more platforming involved in the chopping heads up with your axe here. But there’s not a lot more to the gameplay than that – it’s certainly fun, but it’s no Mario and it’s not really Splatterhouse either. Actually, it reminded me a lot of Kid Dracula, and what that is to Castlevania – a cartoon parody that still manages to cram in a bit of horror behind the laughs.
I must admit I was hoping for a bit more to the laughs as well, but that was entirely down to the game setting some high expectations early on! The first level is in a graveyard (and a very fine one at that, like a more populated version of the C64 Ghosts ‘n Goblins one), and towards the end you’ll come across Dracula emerging from under the ground to what sounds like Michael Jackson’s Thriller. Then four green gooey zombie monsters appear, the disco lights start, and they do an extended Thriller routine. And it’s really good! There are a good few fun bits that follow, with the black mass and the Alien scene standing out for me, but they never really reach those heights.
Something else that never reaches any great heights are the boss fights, which is absolutely fine by me! They are all perfectly pitched, where it’s going to take you a few goes to get to work them out, but once you’ve spotted the pattern you won’t be taking any damage – much like the in some of mainline Splatterhouse games, which aside from the violence and gore is a definite attraction to no-like-boss me. Speaking of damage, it’s handled in a interesting, almost RPG-like way, where every enemy you kill is racking up points for you. Get to fifty points and it’s permanently adding some health to your bar. However, if you die and use the between-stage password to carry on from where you left off, you’ll be starting with your basic health again which makes the game a lot harder, but again, it’s still very beatable, which is great!
There’s no doubt that the deformed art style is one of the main pulls here. It might be cute, but it still manages to pull off the monstrous, albeit usually in a very unrealistic Nintendo way. But the various environs are as creepy (and sometimes just plain dark) as you like, and they often look stunning – sometimes as good as it gets on the NES, with some really rich, vibrant colour palettes that are as full of character as the characters! There’s a semi-hidden Egyptian level that has the best large-scale use of gold colours you’ll ever see on a NES too! You’ve got some really cool monster design throughout, paying homage to the arcade game, but also referencing horror film and pop-culture all over the place – The Fly boss was another favourite! And everything animates so smoothly, with some very nice multi-layered scrolling for the time. It’s a looker without any doubt! Sounds alright too – the spot effects aren’t groundbreaking, but the chip tunes are perfectly positioned, and as multi-layered as the scrolling!
After getting a little down on the gameplay, talking about all of that has really brought home why I wanted to talk about the game in the first place! If you want a great platformer, there’s loads to choose from on NES. If you want over-the-top arcade horror, you’ve got the original Splatterhouse and it’s various sequels and remakes. But if you want the cutest upside-down cross you’ll ever see, you’ve got the Wanpaku Graffiti variant on NES!